Index of Topics

1. General Spacing & Voice Range Issues
1. Irregular Extension of Ranges
2. Voice-crossing
3. Voice-overlap
4. Spacing: greater than P8 between S/A or A/T
5. Spacing: greater than P12 between T/B (or between B. and next highest voice)
6. Other general spacing/range issues (i.e. B/A on unison)
2. Keys & Key Relationships
1. Modulation to ii in major
2. Modulation to iii in major
3. Modulation to IV in major
4. Modulation to V in major
5. Modulation to vi in major
6. Modulation to VII in major
7. Modulation to ii in minor
8. Modulation to III in minor
9. Modulation to iv in minor
10. Modulation to v in minor
11. Modulation to VI in minor
12. Modulation to VII in minor
13. Modulation to other
14. Key Signature not matching (modal melody)
15. Eventual move to key distant from original key
16. Non-modulating chorale
17. Ambiguous tonality
3. Cadences
1. Half Cadence - I to V
2. Half Cadence - II to V
3. Half Cadence - other chords to V
4. Plagal Cadence
5. Phrygian Cadence
6. Deceptive Cadence - V to VI
7. Deceptive Cadence - V to IV⁶
8. Deceptive Cadence - V to other
9. Irregular Cadences
10. Cadential 6/4
11. Picardy 3rd in authentic cadence in minor
12. Picardy 3rd in plagal cadence in minor
4. Resolution Issues
1. Leading-tone dropping to SD5 at cadence, with resolution provided in same register by another voice
2. Leading-tone dropping to SD5 at cadence, with no resolution in same register
3. Leading-tone moving to SD3 at cadence
4. Leading-tone not resolving in outer voice (exception when in S. during a iii chord)
5. Irregular resolution of seventh in a seventh chord
6. d5 to P5 - with parallel tenths involving B.
7. d5 to P5 - without parallel tenth involving B.
8. Irregular resolution of chromatically altered tone
9. Leading-tone not resolving mid-phrase
10. Doubled leading tone
5. Voice Leading Issues
1. Parallel octaves
2. Parallel fifths
3. Implied parallel octaves
4. Implied parallel fifths
5. Consecutive octaves in contrary motion
6. Consecutive fifths in contrary motion
7. Direct fifths/octaves involving outer voices with leap in S.
8. Chordal skip used to prevent parallelism
9. Voice-exchange
10. Chromatic voice-exchange
6. Melodic Issues
1. Awkward Motion: diminished/augmented melodic intervals
2. Awkward Motion: 7ths, 9ths or greater intervals
3. Awkward Motion: Leap into a dissonance
4. Raised SD6 to prevent melodic augmented 2nd
5. Chordal skip to prevent (or mask) awkward interval
7. Diatonic Seventh Chords (other than V7)
1. I7
2. II7
3. III7
4. IV7
5. VI7
6. viio7
7. minor v7 in minor key
8. Progression Issues
1. Unusual progression
2. Chord with ambiguous function
3. Highly chromatic progression
9. 64 Chords (Other than the cadential 64)
1. Passing 6/4 chords: I6/4
2. Passing 6/4 chords: II6/4
3. Passing 6/4 chords: III6/4
4. Passing 6/4 chords: IV6/4
5. Passing 6/4 chords: V6/4
6. Passing 6/4 chords: VI6/4
7. Passing 6/4 chords: VII6/4
8. Other 64 chord types
10. Chord Structure Issues
1. Incomplete seventh chord in inversion
2. Implied root omitted
3. Doubled SD4 when leading-tone appears in harmony
4. Doubled 4th (SD1) in cadential 6/4 harmony
11. Applied Chords
1. V(7)/V
2. V(7)/II
3. V(7)/IV
4. V(7)/VI
5. V(7)/III
6. V(7)/VII
7. viio/V
8. viio/II
9. viio/IV
10. viio/VI
11. viio/III
12. viio/VII
13. viio7/V
14. viio7/II
15. viio7/IV
16. viio7/VI
17. viio7/III
18. viio7/VII
19. Applied dominants/seventh chords with irregular resolutions
20. Other chords applied (i.e. ii/IV)
21. V7/V or viio7/V leading into a Cadential 6/4
12. Other Chromatic Harmony
1. Neapolitan 6th chord
2. Neapolitan chord in root position or 2nd inversion
3. Italian augmented-sixth
4. French augmented-sixth
5. German augmented-sixth
6. Minor v in minor key
7. Minor v in major key
8. Major IV in minor key
9. Minor iv in major key
10. Flat-VI in major key
11. viio7 (fully-diminished) in major key
12. III+ in minor key
13. #vio in minor key
14. Other chromatically-altered chords (i.e. iiø7 half-diminished in major key)
13. Non-Chord Tones
1. Appoggiatura
2. Escape tone
3. Accented passing tone
4. Accented passing tone used to prevent parallelism
5. Pedal point
6. Anticipation
14. Suspensions
1. 4-3 suspension
2. 7-6 suspension
3. 9-8 suspension
4. 2-3 bass suspension
5. Chain of suspensions
6. Suspension with a “change of bass”
7. Suspension with a change of harmony at resolution
8. 3-4-3 figure: delayed 4-3 suspension (usually found at cadences/cadential 6/4)
9. Suspension used to prevent parallelism
10. Other suspension types (i.e. “5-4” suspension into a cadential 64)
15. Sequences
1. Descending fifths (descending circle of fifths)
2. Ascending fifths (ascending circle of fifths)
3. “Ascending 5-6” technique (i.e. I - vi - ii - viio, etc.)
4. “Falling 3rds” (or descending 5-6) (i.e. I - V6 - vi - iii6, etc.)
5. Other sequences




Ia. GENERAL ISSUES: Irregular Extension of Ranges

Chorale #	Measure	Voices	Description
Chorale 002	10	T	T. up to G#4
Chorale 005	15	A	A. down to F#3
Chorale 019	9	B	B. down to D2
Chorale 024	2,12	B	B. down to D2
Chorale 024	2,5	T	T. up to A4
Chorale 034	12	B	B. down to C2
Chorale 049	12	B	B. down to D2
Chorale 063	1	B	B. up to D4
Chorale 074	9	S	B. up to G5
Chorale 074	10	T	B. up to A4
Chorale 075	4	B	B. down to C2

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Ib. GENERAL ISSUES: Voice-crossing

Chorale #	Measure	Voices	Description
Chorale 002	10	AT
Chorale 003	6	AT
Chorale 004	9	AT	Voice-crossing to prevent parallel octaves
Chorale 005	8,9	TB
Chorale 005	15	AT
Chorale 007	35	SA
Chorale 008	7	TB	ossia B. (instrumental part?) prevents crossing
Chorale 008	19	TB
Chorale 010	6	TB
Chorale 011	5	TB
Chorale 011	11	AT
Chorale 015	4	TB
Chorale 015	6	AT
Chorale 017	2	TB
Chorale 018	5	TB
Chorale 018	8,12	AT
Chorale 019	7	AT
Chorale 020	1,4,9	AT
Chorale 020	6	SA
Chorale 021	10	SA
Chorale 023	2	TB
Chorale 023	5	AT
Chorale 029	2	TB
Chorale 030	2	TB
Chorale 033	1	AT
Chorale 034	11	AT
Chorale 035	3	AT
Chorale 037	7	AT
Chorale 037	9	AT	implied parallel fifths
Chorale 040	7	AT
Chorale 041	8	TB
Chorale 041	13	AT
Chorale 043	7	AT
Chorale 044	2	TB
Chorale 044	6	AT
Chorale 045	3	TB
Chorale 045	12	AT
Chorale 046	7-8	TB
Chorale 047	11	TB
Chorale 049	6	TB
Chorale 049	9	AT	Tenor connects to unison w/ S.
Chorale 049	11	SA
Chorale 050	4	SA
Chorale 050	9,11	AT
Chorale 051	6,7	AT
Chorale 052	5,13	AT
Chorale 053	1	SA
Chorale 055	9	TB
Chorale 056	6,13	AT
Chorale 056	14-16	SA	A. above S. for 3 measures to end chorale
Chorale 057	1,6	TB
Chorale 057	5	AT
Chorale 060	1	TB
Chorale 061	2,14	AT
Chorale 061	7	TB
Chorale 063	8	TB	Prevents unequal fifths involving B.
Chorale 063	11	AT
Chorale 066	9,12	TB
Chorale 066	10	AT
Chorale 067	3	TB
Chorale 068	5	AT	Prevents parallels or doubled L.T.
Chorale 069	7	AT
Chorale 069	17,19	TB
Chorale 071	11	AT	Prevents parallel 5ths in Phrygian HC
Chorale 072	1	TB
Chorale 072	3	AT
Chorale 073	5,7,9-10	AT
Chorale 073	7	SA
Chorale 074	1	AT
Chorale 074	11	TB

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Ic. GENERAL ISSUES: Voice-overlap

Chorale #	Measure	Voices	Description
Chorale 001	2	TB
Chorale 004	7	SA
Chorale 005	15	B	B. moving to pitch above where A. was in previous chord!
Chorale 007	19	S/A
Chorale 007	24	TB
Chorale 007	24	TB	Two instances
Chorale 007	31	SA
Chorale 008	17	SA
Chorale 008	18	SA
Chorale 010	1	SA
Chorale 010	7	SA
Chorale 011	2	SA
Chorale 013	4	TB
Chorale 013	10	SA
Chorale 014	5,6	TB
Chorale 016	1	TB
Chorale 016	5	AT
Chorale 016	8,9	TB	Two instances
Chorale 016	10	TB
Chorale 016	15	TB
Chorale 017	10	TB
Chorale 017	13	AT
Chorale 017	13	TB
Chorale 018	7-8	TB
Chorale 021	7,12	TB
Chorale 024	1	TB
Chorale 033	2	TB
Chorale 036	5	SA
Chorale 036	5	AT
Chorale 040	5-6	TB
Chorale 043	14	SA
Chorale 043	14	AT
Chorale 045	7	SA
Chorale 047	2	SA
Chorale 048	10	TB
Chorale 049	6	SA
Chorale 050	8-9	TB
Chorale 051	8	SA
Chorale 052	10-11	TB
Chorale 053	10	AT
Chorale 055	2,8	TB
Chorale 056	2	SA
Chorale 058	5	TA
Chorale 064	1,8	TB
Chorale 066	3	TB
Chorale 067	1,2	TB
Chorale 069	11,23	TB
Chorale 069	17	SA
Chorale 070	8	SA

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Id. GENERAL ISSUES: Spacing: greater than P8 between S/A or A/T

Chorale #	Measure	Voices	Description
Chorale 002	4	AT	11th between A. and T.
Chorale 003	10	AT	More than octave between A. and T. (prevents d5 to P5 in S/A)
Chorale 004	5	AT
Chorale 005	11	SA	More than octave between A. and T. (to prevent direct P5 in S/A?)
Chorale 005	12	AT
Chorale 008	15	AT
Chorale 015	7	AT
Chorale 017	3	AT
Chorale 020	2	AT	minor 13th between A. and T.
Chorale 026	9	AT	P11 between A. and T.
Chorale 028	4	AT	P11 between A. and T.
Chorale 029	3	AT	P11 between A. and T.
Chorale 033	3	AT	M10 between A. and T.
Chorale 033	6	AT	m10 between A. and T.
Chorale 034	6	AT	P11 between A. and T.
Chorale 036	4	AT	P11 between A. and T.
Chorale 037	1	AT	m10 between A. and T.
Chorale 037	8	AT	P11 between A. and T.
Chorale 048	3	AT	m10 between A. and T.
Chorale 050	2	AT	M10 between A. and T.
Chorale 057	5	AT	P11 between A. and T.
Chorale 058	11	SA	m10 between S. and A.
Chorale 058	14,15	AT	P11 between A. and T.
Chorale 061	15	AT	m10 between A. and T.
Chorale 062	8	AT	m10 between A. and T.
Chorale 063	1	AT	M10 between A. and T.
Chorale 066	12	ATB	m10 between A. and B. (which is above T.)
Chorale 067	9	AT	P11 between A. and T.
Chorale 067	12	AT	m10 between A. and T.
Chorale 069	4	AT	M10 between A. and T.
Chorale 069	5	AT	P11 between A. and T.
Chorale 069	10	AT	P12 between A. and T.
Chorale 069	19	SA	m10 between A. and T.
Chorale 072	5	AT	P11 and P12 between A. and T.

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Ie. GENERAL ISSUES: Spacing: greater than P12 between T/B (or between B. and next highest voice)

Chorale #	Measure	Voices	Description
Chorale 014	3	TB	m13 between T. and B.
Chorale 015	6	TB	P15 between T. and B.
Chorale 019	9	TB	m14 between T. and B.
Chorale 034	12	TB	m13 between T. and B.
Chorale 052	14	TB	P15 between T. and B.

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If. GENERAL ISSUES: Other general spacing/range issues (i.e. B/A on unison)

Chorale #	Measure	Voices	Description
Chorale 005	15	AB	A. and B. on a unison
Chorale 015	6	ST	S/T on a unison (A. below T.)
Chorale 049	9	TAS	S/T on a unison (A. below T.)

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IIa. KEYS & KEY RELATIONSHIPS: Modulation to ii in major

Chorale #	Measure	Voices	Description
Chorale 005	9,10		Mid-phrase modulation to ii in major (G to a)
Chorale 009	5,6		Mid-phrase modulation to ii in major (G to a)
Chorale 011	17		Mid-phrase modulation to ii in major (C to d)
Chorale 021	7		Mid-phrase modulation to ii in major
Chorale 024	9-10		Mid-phrase modulation to ii in major
Chorale 026	7-8		Mid-phrase modulation to ii in major
Chorale 031	9		Mid-phrase modulation to ii in major
Chorale 032	9		Mid-phrase modulation to ii in major
Chorale 034	7-8		Mid-phrase modulation to ii in major
Chorale 045	7		Mid-phrase(?) modulation to ii in major (VII back to i)
Chorale 049	6		Mid-phrase modulation to ii in major (VII back to i)
Chorale 050	7-8		Mid-phrase modulation to ii in major
Chorale 052	7-8		Mid-phrase modulation to ii in major
Chorale 061	9		Mid-phrase modulation to ii in major
Chorale 063	8		Mid-phrase modulation to ii in major
Chorale 071	10-11		Mid-phrase modulation to ii in major
Chorale 074	6-7		Mid-phrase modulation to ii in major
Chorale 075	8-9		Mid-phrase modulation to ii in major

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IIb. KEYS & KEY RELATIONSHIPS: Modulation to iii in major

Chorale #	Measure	Voices	Description
Chorale 058	9		Mid-phrase modulation to iii in major

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IIc. KEYS & KEY RELATIONSHIPS: Modulation to IV in major

Chorale #	Measure	Voices	Description
Chorale 004	1,2		Mid-phrase modulation to IV in major (E to A)
Chorale 007	24		Mid-phrase modulation to IV in major (A to D)
Chorale 014	10,11		Mid-phrase modulation to IV in major (D to G)
Chorale 016	12		Mid-phrase modulation to IV in major (A to D)
Chorale 027	6-7		Mid-phrase modulation to IV in major
Chorale 037	7		Mid-phrase modulation to IV in major
Chorale 046	7		Mid-phrase modulation to IV in major (V back to I)
Chorale 047	10		Mid-phrase modulation to IV in major
Chorale 051	2		Mid-phrase modulation to IV in major (or a tonicization leading to a cadence on IV)
Chorale 051	7		Mid-phrase modulation to IV in major (V back to I)
Chorale 052	13		Mid-phrase(?) modulation to IV in major (V back to I)

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IId. KEYS & KEY RELATIONSHIPS: Modulation to V in major

Chorale #	Measure	Voices	Description
Chorale 002	3		Mid-phrase modulation to V in major
Chorale 004	4		Mid-phrase modulation to V in major
Chorale 004	5		Mid-phrase modulation to V in major
Chorale 009	1		Mid-phrase modulation to V in major
Chorale 017	9,10		Mid-phrase modulation to V in major
Chorale 020	7-8		Mid-phrase modulation to V in major
Chorale 022	5-6		Mid-phrase modulation to V in major (via the key area of vi)
Chorale 024	5		Mid-phrase modulation to V in major
Chorale 027	5		Mid-phrase modulation to V in major
Chorale 029	2		Mid-phrase modulation to V in major
Chorale 035	2		Mid-phrase modulation to V in major
Chorale 036	11-12		Mid-phrase modulation to V in major
Chorale 038	7-8		Mid-phrase modulation to V in major
Chorale 050	3-4		Mid-phrase modulation to V in major (or tonicization?)
Chorale 051	3-4		Mid-phrase modulation to V in major (IV back to I)
Chorale 051	6		Mid-phrase modulation to V in major (as a tonicization ending w/ a HC, but chorale stays in key area of V)
Chorale 054	3		Mid-phrase modulation to V in major
Chorale 064	2		Mid-phrase modulation to V in major
Chorale 065	7		Mid-phrase modulation to V in major
Chorale 067	2		Mid-phrase modulation to V in major
Chorale 068	6		Mid-phrase modulation to V in major (tonicizing ii and vi along the way)
Chorale 069	7,17		Mid-phrase modulation to V in major
Chorale 070	3,7-8		Mid-phrase modulation to V in major

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IIe. KEYS & KEY RELATIONSHIPS: Modulation to vi in major

Chorale #	Measure	Voices	Description
Chorale 004	7,8		Mid-phrase modulation to vi in major (A to f#)
Chorale 007	10		Mid-phrase modulation to vi in major (A to f#)
Chorale 008	17-20		Mid-phrase modulation to vi in major (Ab to f)
Chorale 012	10		Mid-phrase modulation to vi in major (C to a)
Chorale 013	5		Mid-phrase modulation to vi in major (C to a)
Chorale 015	9		Mid-phrase modulation to vi in major (F to d)
Chorale 019	6-7		Mid-phrase modulation to vi in major (Bb to g)
Chorale 021	10-12		Mid-phrase modulation to vi in major (C to a (via G major?))
Chorale 024	6		Mid-phrase modulation to vi in major (A to f# (phrase started in D))
Chorale 025	10-11		Mid-phrase modulation to vi in major
Chorale 028	5-6		Mid-phrase modulation to vi in major
Chorale 030	10-11		Mid-phrase modulation to vi in major (III back to i)
Chorale 031	3-4		Mid-phrase modulation to vi in major
Chorale 031	5-6		Mid-phrase modulation to vi in major
Chorale 033	7		Mid-phrase modulation to vi in major (III back to i)
Chorale 034	4		Mid-phrase modulation to vi in major (III back to i)
Chorale 034	12-13		Mid-phrase modulation to vi in major (III back to i)
Chorale 036	6-7		Mid-phrase modulation to vi in major
Chorale 037	9-10		Mid-phrase modulation to vi in major (III back to i)
Chorale 039	5-6		Mid-phrase modulation to vi in major (III back to i)
Chorale 041	3,12		Mid-phrase modulations to vi in major (III back to i)
Chorale 042	7		Mid-phrase modulation to vi in major (III back to i)
Chorale 043	7,10-11		Mid-phrase modulations to vi in major
Chorale 048	3,9		Mid-phrase modulation to vi in major (III back to i)
Chorale 052	1-2		Mid-phrase modulation to vi in major
Chorale 053	14		Mid-phrase modulation to vi in major (III back to i)
Chorale 056	12-13		Mid-phrase modulation to vi in major
Chorale 057	5-6		Mid-phrase modulation to vi in major (III back to i)
Chorale 058	9-10		Mid-phrase modulation to vi in major
Chorale 060	3		Mid-phrase modulation to vi in major
Chorale 060	5-6		Mid-phrase modulation to vi in major
Chorale 062	4,8		Mid-phrase modulation to vi in major (III back to i)
Chorale 063	2		Mid-phrase modulation to vi in major
Chorale 064	10		Mid-phrase modulation to vi in major
Chorale 069	10		Mid-phrase modulation to vi in major
Chorale 073	9-10		Mid-phrase modulation to vi in major (III back to i)

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IIf. KEYS & KEY RELATIONSHIPS: Modulation to VII in major

Chorale #	Measure	Voices	Description
			None found yet (predictably)

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IIg. KEYS & KEY RELATIONSHIPS: Modulation to ii in minor

Chorale #	Measure	Voices	Description
			None found yet (predictably)

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IIh. KEYS & KEY RELATIONSHIPS: Modulation to III in minor

Chorale #	Measure	Voices	Description
Chorale 008	3		Mid-phrase modulation to III in minor (f to Ab)
Chorale 009	8		Mid-phrase modulation to III in minor (e to G)
Chorale 011	23		Mid-phrase modulation to III in minor (a to C)
Chorale 012	2,3		Mid-phrase modulation to III in minor (a to C)
Chorale 013	1		Mid-phrase modulation to III in minor (a to C)
Chorale 015	6		Mid-phrase modulation to III in minor (d to F)
Chorale 017	13-15		Mid-phrase modulation to III in minor (e to G)
Chorale 024	6		Mid-phrase modulation to III in minor
Chorale 025	5		Mid-phrase modulation to III in minor
Chorale 028	3		Mid-phrase modulation to III in minor
Chorale 030	5		Mid-phrase modulation to III in minor (returns to i before phrase ends)
Chorale 030	7		Mid-phrase modulation to III in minor
Chorale 031	1		Mid-phrase modulation to III in minor
Chorale 033	5		Mid-phrase modulation to III in minor
Chorale 034	2-3		Mid-phrase modulation to III in minor
Chorale 036	9		Mid-phrase modulation to III in minor (vi back to I)
Chorale 039	2		Mid-phrase modulation to III in minor
Chorale 041	1		Mid-phrase modulation to III in minor
Chorale 042	7		Mid-phrase modulation to III in minor (vi back to I)
Chorale 043	12-13		Mid-phrase modulation to III in minor (vi back to I) by way of a tonicization of VI
Chorale 045	9-10		Mid-phrase modulation to III in minor (moves back to i by phrase end)
Chorale 048	2		Mid-phrase(?) modulation to III in minor
Chorale 049	7		Mid-phrase modulation to III in minor
Chorale 053	10		Mid-phrase modulation to III in minor
Chorale 056	11		Mid-phrase modulation to III in minor (leads into tonally ambiguous passage)
Chorale 057	3		Mid-phrase modulation to III in minor
Chorale 059	4		Mid-phrase modulation to III in minor
Chorale 061	7		Mid-phrase modulation to III in minor
Chorale 062	3		Mid-phrase modulation (or tonicization?) to III in minor
Chorale 062	6		Mid-phrase modulation to III in minor
Chorale 063	3		Mid-phrase(?) modulation to III in minor
Chorale 064	12		Mid-phrase modulation to III in minor (vi back to I)
Chorale 073	8		Mid-phrase modulation to III in minor (v to VII)
Chorale 075	1		Mid-phrase modulation to III in minor (mini 1-bar phrase)

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IIi. KEYS & KEY RELATIONSHIPS: Modulation to iv in minor

Chorale #	Measure	Voices	Description
Chorale 005	12,13		Mid-phrase modulation to iv in minor
Chorale 021	1-2		Mid-phrase modulation to iv in minor
Chorale 034	1-2		Mid-phrase modulation to iv in minor
Chorale 066	3,9-10		Mid-phrase modulation to iv in minor

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IIj. KEYS & KEY RELATIONSHIPS: Modulation to v in minor

Chorale #	Measure	Voices	Description
Chorale 015	1		Mid-phrase modulation to v in minor
Chorale 015	7		Mid-phrase modulation to v in minor
Chorale 017	6,7		Mid-phrase modulation to v in minor
Chorale 028	7		Mid-phrase modulation to v in minor (works way back to i)
Chorale 039	7-8		Mid-phrase modulation to v in minor
Chorale 049	1		Mid-phrase modulation to v in minor
Chorale 053	5-6		Mid-phrase modulation to v in minor
Chorale 066	5		Mid-phrase modulation to v in minor (by way of VII)
Chorale 073	7		Mid-phrase modulation to v in minor

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IIk. KEYS & KEY RELATIONSHIPS: Modulation to VI in minor

Chorale #	Measure	Voices	Description
Chorale 039	9		Mid-phrase modulation to VI in minor
Chorale 041	11		Mid-phrase modulation to VI in minor
Chorale 058	4		Mid-phrase modulation to VI in minor (iii back to I)

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IIl. KEYS & KEY RELATIONSHIPS: Modulation to VII in minor

Chorale #	Measure	Voices	Description
Chorale 010	8-9		Mid-phrase modulation to VII in minor (a to G)
Chorale 023	1-2		Mid-phrase modulation to VII in minor
Chorale 023	7-8		Mid-phrase modulation to VII in minor
Chorale 031	7		Mid-phrase modulation to VII in minor
Chorale 034	5-6		Mid-phrase modulation to VII in minor (via III) (a-(C)-G)
Chorale 037	5		Mid-phrase modulation to VII in minor
Chorale 041	6		Mid-phrase modulation to VII in minor
Chorale 043	8		Mid-phrase modulation to VII in minor
Chorale 045	5		Mid-phrase modulation to VII in minor
Chorale 055	7		Mid-phrase modulation to VII in minor

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IIm. KEYS & KEY RELATIONSHIPS: Modulation to other

Chorale #	Measure	Voices	Description
Chorale 004	8		Direct modulation from ii to I (f# to E)
Chorale 007	26		Direction modulation to Major II in major key (D to E [IV to V in original key of A])
Chorale 021	7		Direct modulation to Major IV in minor key (d to G [iv to VII in original key of a)
Chorale 038	6		Direct modulation to major II in major key (Eb to F) (depends on analysis)
Chorale 061	11-12		Mid-phrase modulation to IV in minor! f to Bb (from ii to V) Mode mixture smooths the transition
Chorale 070	12		Mid-phrase modulation to minor v in major key (G to d’V to ii in C major, though the chorale is not unambiguously in C major

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IIn. KEYS & KEY RELATIONSHIPS: Key Signature Not Matching (modal melody)

Chorale #	Measure	Voices	Description
Chorale 003			Key signature not matching (a dorian tune)
Chorale 008			Key signature not matching (f dorian tune)
Chorale 015			Key signature not matching (d dorian tune)
Chorale 019			Key signature not matching (g dorian tune)
Chorale 025			Key signature not matching (f dorian tune)
Chorale 049			Key signature not matching (d dorian tune)
Chorale 066			Key signature not matching (d dorian tune; though chorale ends in a minor)
Chorale 070			Key signature not matching (G mixolydian tune? G implied at opening, though tonally ambiguous)

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IIo. KEYS & KEY RELATIONSHIPS: Eventual move to key distant from original key

Chorale #	Measure	Voices	Description
Chorale 017	2		Mid-phrase modulation from e to A (to major IV in original minor key)
Chorale 070			d minor, from the implied G major opening(?) Key signature is C major.

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IIp. KEYS & KEY RELATIONSHIPS: Non-modulating chorale

Chorale #	Measure	Voices	Description
Chorale 001			Non-modulating chorale (one tonicization of IV)
Chorale 042			Non-modulating chorale (one brief tonicization w/ cadence in tonicized key)

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IIq. KEYS & KEY RELATIONSHIPS: Ambiguous tonality

Chorale #	Measure	Voices	Description
Chorale 011	9-12		Ambiguous tonality: e minor? G major? a minor? C major?
Chorale 012	8-10		Tonal ambiguity (C major? G major? A minor?) B major 63 chord could effectively be V6/iii in C, V6/ii in D, V6/vi in G, V6/V in a. The latter is eventuated.
Chorale 012	12-16		Ambiguous tonality: C major? a minor?
Chorale 013	10-12		Ambiguous tonality: quick sequence of tonicizations, which cover almost all of a minor's nearly related keys (only F left out)
Chorale 015	opening		Ambiguous tonality: d minor never established; goes directly to key area of iv
Chorale 016	13-14		Ambiguous tonality: A major? b minor? perhaps E major? (See A-naturals and A#s, D-naturals and D#s, G-naturals and G#s in the span of two measures.)
Chorale 016	16		Ambiguous tonality: D major: a minor chord suggests possible e minor key, but movement to F#Mm6/5 suggests b minor (or B major, V of e?); ultimately b minor is eventuated
Chorale 019	4-5		Ambiguous tonality: F major? Bb major? Ultimately Bb is eventuated, with the establishment of Ebs
Chorale 021	10-12		Ambiguous tonality: C major? G major? a minor?
Chorale 022	7-9		Ambiguous tonality: A-naturals and A-flats suggest both Bb and Eb
Chorale 034	1-2		Ambiguous tonality: a minor or e minor (or e phrygian)?
Chorale 038	6		Ambiguous tonality: F major (major II in minor key)? Bb major (w/ no established tonic, only a V6/V-V half cadence progression)? F minor (w/ picardy third?)?
Chorale 043	1-3		Ambiguous tonality: A or E?
Chorale 043	12-13		Ambiguous tonality: c# or A or E? (matches the ambiguity heard at the beginning of chorale)
Chorale 049	9		Ambiguous tonality: d minor? C major?
Chorale 052	9		Ambiguous tonality: A major? F# minor?
Chorale 054	8		Ambiguous tonality, cadence doesn't clarify: HC to minor v in e minor? cadence to tonicized iii in G major?
Chorale 056	9		Ambiguous tonality: b minor? D major? e minor?
Chorale 056	12-14		Ambiguous tonality: G to e to b in quick succession (Tonic of e is never heard); C#s and C-naturals, D#s and D-naturals. Fascinating passage!
Chorale 061	11		Ambiguous tonality: G-natural and A-natural combined with G-flat and D-flat. Suggests Bb minor? flat-VI in Bb major? flat-III in Eb major? Or N53 in f minor?
Chorale 063	4		Ambiguous tonality: Cadence to iii in established A major? Or deceptive cadence in A major’s unestablished dominant E major? The latter is more convincing.
Chorale 066	1		Ambiguous tonality: D minor or A minor? Melody begins in D minor, but first and last cadences of chorale are in A minor.
Chorale 069	11-12		Ambiguous tonality: D major or G major? (C#&@8212;C—C#)
Chorale 070	14-15		Ambiguous tonality: Vacillates between C major and G major (F#—F—F#)
Chorale 071	4-5		Ambiguous tonality: e minor or G major? ...or C major?
Chorale 074	1-4		Ambiguous tonality: F major or d minor?

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IIIa. CADENCES: Half Cadence - I to V

Chorale #	Measure	Voices	Description
Chorale 001	4,10,18
Chorale 002	6		Cadence: I6-V
Chorale 003	2
Chorale 004	8
Chorale 005	10
Chorale 010	13
Chorale 016	3,10,14		(m.14 Cadence: I6-V)
Chorale 020	10
Chorale 021	8
Chorale 024	10
Chorale 026	4		Cadence: I6-V
Chorale 031	6		Cadence: I6-V
Chorale 037	10
Chorale 040	5
Chorale 043	3
Chorale 045	2,9,11
Chorale 050	8
Chorale 051	9
Chorale 053	4
Chorale 054	8
Chorale 055	2,6
Chorale 056	3,10
Chorale 057	6
Chorale 058	10,15
Chorale 058	8		Or IAC in key area of V?
Chorale 059	3
Chorale 061	6,10
Chorale 064	8
Chorale 066	10
Chorale 068	5
Chorale 069	2		Cadence: I6-V
Chorale 074	8
Chorale 075	7		Cadence: I6-V

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IIIb. CADENCES: Half Cadence - II to V

Chorale #	Measure	Voices	Description
Chorale 011	30		ii7-V
Chorale 042	6		iio-V
Chorale 043	6		iio-V

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IIIc. CADENCES: Half Cadence - other chords to V

Chorale #	Measure	Voices	Description
Chorale 002	2		Cadence: V/V-V
Chorale 002	10		Cadence: I-(IV7)-V
Chorale 003	10		Cadence: viio7/V-V
Chorale 005	8		Cadence: V7/V-V
Chorale 009	10		Cadence: V7/V-V
Chorale 010	2,3		Cadence: #vio6-V (#vio6 chord as a viio43/V chord w/o root)
Chorale 010	5		Cadence: iv7-V
Chorale 016	6		Cadence: iv7-V
Chorale 018	2,4		Cadence: V/V-V
Chorale 019	2		Cadence: viio7/v-V
Chorale 020	2		Cadence: V7/V-V
Chorale 020	6		Cadence: V/V-V
Chorale 022	13		Cadence: IV7-V
Chorale 025	4		Cadence: iv-V
Chorale 027	6		Cadence: V7/V-V
Chorale 029	2		Cadence: V/V-V
Chorale 029	8		Cadence: viio43-V
Chorale 034	4,13		Cadence: iv-V (m.13 cadence ends chorale)
Chorale 035	6		Cadence: V24/V-V(53)
Chorale 037	4		Cadence: viio64/V-V
Chorale 040	1		Cadence: V7/V-V
Chorale 040	6		Cadence: viio6/V-V
Chorale 041	10		Cadence: viio64/V-V
Chorale 045	4		Cadence: #vio6-V
Chorale 050	4		Cadence: viio6/V-V
Chorale 050	6		Cadence: IV7-V
Chorale 050	10		Cadence: V43/V-V
Chorale 052	8		Cadence: viio43/V-V
Chorale 054	6		Cadence: IV7-V
Chorale 057	1		Cadence: viio43/V-V
Chorale 061	14		Cadence: IV7-V
Chorale 062	1		Cadence: iv7-V
Chorale 063	2		Cadence: iv43-V6
Chorale 063	6		Cadence: IV7-V
Chorale 065	5		Cadence: V65/V-V
Chorale 067	8		Cadence: I-(viiø43/V)-V
Chorale 069	3,13		Cadence: viio6/V-V
Chorale 070	20		Cadence: V/V-V (Or is it a PAC in C?)
Chorale 073	4		Cadence: viio7/V-V
Chorale 075	3		Cadence: V65/V-V

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IIId. CADENCES: Plagal Cadence

Chorale #	Measure	Voices	Description
Chorale 011	28
Chorale 012	4
Chorale 018	11
Chorale 021	6
Chorale 024	2		IV6-I
Chorale 032	2,6
Chorale 034	6
Chorale 049	8		iv6-i (p.t. in B. creates a hint at viiø7, but T. does not cooperate to confirm viiø7-i cadence.)
Chorale 049	12		Plagal cadence? Over B. pedal at chorale end
Chorale 051	10
Chorale 056	6
Chorale 058	2
Chorale 069	23

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IIIe. CADENCES: Phrygian Cadence

Chorale #	Measure	Voices	Description
Chorale 003	6
Chorale 016	8
Chorale 019	7
Chorale 021	2
Chorale 023	6
Chorale 025	2
Chorale 033	4
Chorale 047	4
Chorale 049	10
Chorale 056	10
Chorale 057	2
Chorale 067	6
Chorale 069	11
Chorale 071	2,11
Chorale 072	4

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IIIf. CADENCES: Deceptive Cadence - V to VI

Chorale #	Measure	Voices	Description
Chorale 015	10		Cadence: V-VI
Chorale 060	10		Cadence: V7-vi (LT to SD6 in T.; Anticipation in S. prevents parallel 5ths)
Chorale 071	8		Cadence: V7-VI

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IIIg. CADENCES: Deceptive Cadence - V to IV⁶

Chorale #	Measure	Voices	Description
			None found yet.

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IIIh. CADENCES: Deceptive Cadence - V to other

Chorale #	Measure	Voices	Description
Chorale 019	6		Cadence: V-viio7/vi-vi
Chorale 063	6		Cadence: V-viio7/vi-vi (ambiguous tonality: the given analysis is better in the key of E than the following... A: ii7-viio7/iii-iii, even though we never get an established E tonality)

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IIIi. CADENCES: Irregular Cadence

Chorale #	Measure	Voices	Description
Chorale 001	14		Cadence: V7/IV-IV
Chorale 007	18		Cadence: V7/IV-IV
Chorale 011	2		Cadence: IV-bVII
Chorale 011	20		Cadence: iiø65-i
Chorale 014	6		Cadence: I-IV
Chorale 027	2		Cadence: V7/IV-IV
Chorale 028	4		Cadence: V7/IV-IV
Chorale 036	10		Cadence: V7/IV-IV
Chorale 052	6		Cadence: V7/IV-IV
Chorale 061	2		Cadence: IV6/IV-V65/IV
Chorale 065	6		Cadence: DC?: iii-vi
Chorale 070	2		Cadence: v6-vi (in a major key?) (Or is it an HC to minor v in A minor?)

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IIIj. CADENCES: Cadential 6/4

All occur at authentic cadences unless otherwise noted.

Chorale #	Measure	Voices	Description
Chorale 002	4,12
Chorale 003	4
Chorale 005	12		Decorated with 3-4-3 figure
Chorale 007	36		With delayed 8-7 motion
Chorale 010	10		With delayed 8-7 motion and 3-4-3 decoration
Chorale 011	31		With delayed 8-7 motion
Chorale 013	2
Chorale 015	11
Chorale 016	17		At half cadence w/ decorated resolution
Chorale 017	7		With decorated resolution and intervening iiø65 chord
Chorale 017	17		With delayed 4-3 resolution
Chorale 018	6		Decorated: B. has lower neighbor; delayed 8-7 motion
Chorale 018	12		With doubled 6th, one moving up to SD5 (w/ p.t.); delayed 4-3 resolution
Chorale 025	8		With 8-7 motion
Chorale 030	6		With delayed 8-7 motion
Chorale 035	8		With decorative escape tones before resolving
Chorale 036	7
Chorale 037	12		With delayed 8-7 motion, decorative neighbor in B., and anticipation in S.
Chorale 041	2		With decorated resolution of 4-3
Chorale 043	7		In grace note appoggiaturas
Chorale 044	8		With delayed 8-7 motion
Chorale 047	2		Unusual resolution! 4-1, 6-3, 6-5 (Doubled 6th)
Chorale 050	12		With delayed 8-7 motion
Chorale 053	11,15		On beats 2 & 3 in a 3/4 meter
Chorale 054	9		With delayed 8-7 motion
Chorale 056	16		At half cadence w/ decorated resolution; ends chorale
Chorale 062	9		With delayed 8-7 motion
Chorale 063	12
Chorale 064	10		With decorated resolution
Chorale 066	14		With delayed 8-7 motion
Chorale 067	4		With delayed 8-7 motion
Chorale 070	8		Decorated by 3-4-3 in S/A combination; 4th above B. doubled!
Chorale 071	6		Decorated in all voices; with an intervening ii6 chord between the I64 and V
Chorale 071	13
Chorale 073	2		Decorated with 3-4-3 in T.

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IIIk. CADENCES: Picardy 3rd in authentic cadence in minor

Chorale #	Measure	Voices	Description
Chorale 005	14	T	Internal cadence
Chorale 007	22	A	Internal cadence
Chorale 008	14,20	A
Chorale 012	16	T
Chorale 013	16	T
Chorale 015	2,12	T
Chorale 017	8	A	Internal cadence
Chorale 017	18	T
Chorale 019	9	T
Chorale 023	12	T
Chorale 025	12	T
Chorale 028	8	T
Chorale 030	12	T
Chorale 031	4,10	T	Internal cadence at m.4; final cadence at m.10
Chorale 033	9	T
Chorale 037	12	T
Chorale 039	12	T
Chorale 041	14	T
Chorale 047	12	T
Chorale 048	4	T	Internal cadence
Chorale 048	6	A	Internal cadence
Chorale 049	12	A	(with plagal motion over B. pedal) (A. above S. here)
Chorale 053	8	A	Internal cadence
Chorale 053	16	T
Chorale 055	10	T
Chorale 059	10	T
Chorale 062	9	A
Chorale 066	14	A
Chorale 071	13	T
Chorale 072	8	T
Chorale 073	11	A
Chorale 075	11	T

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IIIl. CADENCES: Picardy 3rd in plagal cadence in minor

Chorale #	Measure	Voices	Description
Chorale 011	29	A
Chorale 049	12	A	Plagal cadence? Or authentic cadence with plagal motion over B. pedal?

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IVa. RESOLUTION ISSUES: Leading-tone dropping to SD5 at cadence, with resolution in same register in another voice

Chorale #	Measure	Voices	Description
Chorale 001	6,20	A
Chorale 002	4,12	A
Chorale 004	2	A
Chorale 005	4,17	A
Chorale 006	7	A
Chorale 007	7,11,14, 28,36	A
Chorale 008	4,6,10,16	A
Chorale 009	4,6	A
Chorale 010	8	A
Chorale 013	6,16	A
Chorale 014	5,9,14	A
Chorale 015	2,4,11	A
Chorale 017	3,12,18	A
Chorale 018	9,13	A
Chorale 020	2,8,12	A
Chorale 022	5,15	A
Chorale 023	4,11	A
Chorale 024	8,12	A
Chorale 025	8,12	A
Chorale 026	6,8,10	A
Chorale 028	6,8	A
Chorale 029	2,13	A
Chorale 030	3,6,12	A
Chorale 031	4,8,10	A
Chorale 032	4,12	A
Chorale 034	2,6,10	A
Chorale 035	2	A
Chorale 036	13	A
Chorale 037	2,6,8	A
Chorale 038	4,10	A
Chorale 039	4,6,10,12	A
Chorale 040	1,4	A
Chorale 041	5	A
Chorale 042	9	A
Chorale 044	4,8	A
Chorale 045	7	A
Chorale 046	6,8	A
Chorale 047	2,10,12	A
Chorale 049	2,6	A
Chorale 050	12	A
Chorale 051	4,6	A
Chorale 052	12,15	A
Chorale 054	10	A
Chorale 055	1	A
Chorale 059	6,11	A
Chorale 061	4,16	A
Chorale 063	12	A
Chorale 065	4,10	A
Chorale 066	4,12	A
Chorale 067	2	A
Chorale 068	3,7,9	A
Chorale 069	5,8,15,18	A
Chorale 070	4,6,8,11, 13,17	A
Chorale 071	6,10,13	A
Chorale 072	2,6	A

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IVb. RESOLUTION ISSUES: Leading-tone dropping to SD5 at cadence, without resolution in same register in another voice

Chorale #	Measure	Voices	Description
Chorale 004	4	T
Chorale 011	8	T
Chorale 017	7	T
Chorale 028	2	T
Chorale 031	2	T
Chorale 033	6,9	T
Chorale 036	6,14	T
Chorale 036	8	A
Chorale 037	12	T
Chorale 040	8	T
Chorale 045	13	T
Chorale 051	2	T
Chorale 054	4	T
Chorale 055	5	T
Chorale 057	8	T
Chorale 058	6	T
Chorale 062	9	T
Chorale 064	11	A
Chorale 066	8,14	T
Chorale 067	4,13	T
Chorale 069	24	T
Chorale 073	11	T
Chorale 074	4	T

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IVc. RESOLUTION ISSUES: Leading-tone to SD3 at cadence

Chorale #	Measure	Voices	Description
Chorale 003	4	T	minor key
Chorale 004	6	T	minor key
Chorale 006	6	T	major key
Chorale 009	12	T	major key
Chorale 015	8	T	minor key
Chorale 027	4,10	T	major key
Chorale 029	4	T	major key
Chorale 035	4	T	major key
Chorale 036	3	T	major key
Chorale 039	8	T	minor key
Chorale 060	6	T	major key
Chorale 062	7	T	major key
Chorale 064	4,13	T	major key
Chorale 066	2	T	minor key
Chorale 073	2	T	minor key

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IVd. RESOLUTION ISSUES: Leading-tone not resolving in outer voice (exception when in S. during a iii chord)

Chorale #	Measure	Voices	Description
Chorale 007	18	S	Temporary L.T. not resolving in tonicizing chord (V7/IV); effect is heightened when chorale stays in key of IV
Chorale 011	5-6	S	L.T. of newly tonicized key not resolving
Chorale 019	1	S	Original dorian tune perhaps using subtonic rather than the L.T.
Chorale 019	5	S
Chorale 027	2	S	Temporary L.T. not resolving in tonicizing chord (Progression: V7/IV-IV)
Chorale 028	4	S	Temporary L.T. not resolving in V7/IV chord (temporary L.T. is also doubled in A.)
Chorale 029	11-12	B	SD: 1-7-6-7-1
Chorale 035	1	B	SD: 1-7-6
Chorale 036	1,4	B	SD: 1-7-6
Chorale 036	9-10	S	Temporary L.T. not resolving in V7/IV chord
Chorale 037	1	B	SD: 1-7-6-5-6-7-1
Chorale 039	5	B	SD: 1-7-6-5 ...leads to modulation
Chorale 042	7-8	B	SD: 1-7-6-5
Chorale 046	1	S	SD: 1-7-6-7-1
Chorale 051	1	B	SD: 1-7-6-7-1
Chorale 052	1	B	SD: 1-7-6-5
Chorale 052	6	S	Temporary L.T. not resolving in a V7/IV-IV irregular cadence (Temp. L.T. drops to fifth of IV chord.)
Chorale 055	9	B	L.T. moves up to SD3 (in minor); sequential melodic motion takes precedence
Chorale 056	4	S	SD: 1-7-6-5
Chorale 056	5-6	B	SD: 1-7-6-7-1
Chorale 056	1	S	SD: 1-7-6-5
Chorale 059	4	T	Temporary L.T. moving down in V42/IV-IV progression
Chorale 073	5	B	SD: 1-7-6-5
Chorale 074	5	S	SD: 1-7-6-5
Chorale 075	2	B	SD: 1-7-6-7-1

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IVe. RESOLUTION ISSUES: Irregular resolution of seventh in a seventh chord

Chorale #	Measure	Voices	Description
Chorale 011	13	A	Seventh of vi7 not resolving properly
Chorale 011	19-20	S	Seventh of a iiø43 chord not resolving properly
Chorale 019	3	A	Seventh of V7 transferred to B., becoming V42
Chorale 027	2	A	Seventh of V7 not resolving; parallel ascending sixths w/ S. take precedence
Chorale 034	2	A	Seventh of V43/III chord not resolving (resolution pitch is in T. in same register
Chorale 034	3	A	Seventh of V7 not resolving properly
Chorale 035	1-2	T	Seventh of V65 chord not resolving properly (L.T. in same chord also not resolving properly)
Chorale 035	6	A	Seventh of V42/V not resolving properly (moves directly to V53)
Chorale 043	14	B	Seventh of V42 moves up chromatically (V42-viio7/V-V-I)
Chorale 049	7	T	Seventh of V65 in minor resolves prematurely (SD: 4-3) creating a III+ chord; Progression: V65-(III+)-IV65-V65-i
Chorale 070	12	S	Seventh of vi7 not resolving properly
Chorale 073	9	S	Seventh of I7 not resolving properly (leading into modulation; perhaps the moving B. alleviates non-resolution, although A in Alto certainly functions aurally as a chord seventh)

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IVf. RESOLUTION ISSUES: d5 to P5 - with parallel tenth involving B.

Chorale #	Measure	Voices	Description
Chorale 001	8	SA
Chorale 026	1	SA
Chorale 047	1	SA
Chorale 068	1	SA

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IVg. RESOLUTION ISSUES: d5 to P5 - without parallel tenths involving B.

Chorale #	Measure	Voices	Description
Chorale 002	9	SA
Chorale 016	13	SA
Chorale 016	13	AT
Chorale 023	2	SA
Chorale 037	2	ST
Chorale 040	6	SA
Chorale 041	6-7	ST
Chorale 041	9-10	SA
Chorale 041	13	AT

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IVh. RESOLUTION ISSUES: Irregular resolution of chromatically altered tone

Chorale #	Measure	Voices	Description
Chorale 012	15	A	Raised SD6 (approached from SD7) proceeding downward; raised SD6 part of a viio7/V harmony
Chorale 023	10	A	Temporary L.T. in V7/V chord moving down by step to fifth of V chord

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IVi. RESOLUTION ISSUES: Leading-tone not resolving mid-phrase

Chorale #	Measure	Voices	Description
Chorale 009	1	A	Mid-phrase L.T. not resolving in a V7 sonority
Chorale 013	7	A	L.T. not resolving mid-phrase (V7-i progression)
Chorale 013	13	T	L.T. not resolving up to SD1, but down to SD5 (w/ SD6 p.t.) to allow melody in S. to jump up to SD1
Chorale 014	11-12	T	L.T. up to SD3 in V-iii progression
Chorale 015	10	T	L.T. not resolving mid-phrase (resolution is transferred to A.)
Chorale 018	1,7	A	L.T. descending mid-phrase (SD: 7-6-5); prevents d5 to P5 w/ S.
Chorale 018	2	A	L.T. in mid-phrase leaps up to SD3; tonicization of V in context masks non-resolving effect
Chorale 019	1	S	L.T. not resolving mid-phrase (original dorian tune perhaps used subtonic rather than L.T?)
Chorale 019	5	S	Tonal ambiguity weakens non-resolving effect
Chorale 027	5	A	L.T. descending mid-phrase (SD: 7-6-5)
Chorale 027	9	A	L.T. dropping to SD5 in V7-I progression
Chorale 029	7-8	A	L.T. dropping mid-phrase (Deceptive motion: V-IV6
Chorale 029	9	A	L.T. descending mid-phrase (SD: 1-7-6-7-1)
Chorale 029	11-12	B	L.T. descending mid-phrase (SD: 1-7-6-7-1)
Chorale 030	2-3	T	L.T. descending mid-phrase (descending line in minor key uses L.T., not subtonic)
Chorale 035	1-2	A	L.T. in V65 chord not resolving mid-phrase (becomes I7) (Seventh of same V65 chord also not resolving properly)
Chorale 036	1,4	B	L.T. descending mid-phrase (SD: 1-7-6)
Chorale 036	12	A	L.T. descending mid-phrase (SD: 1-7-6-5)
Chorale 037	1/td>	B	L.T. descending mid-phrase (SD: 1-7-6-5-6-7-1)
Chorale 042	7-8	B	L.T. descending mid-phrase (SD: 1-7-6-5)
Chorale 043	10	T	L.T. to SD5
Chorale 044	4	T	L.T. descending mid-phrase (SD: 1-7-6)
Chorale 046	1	S	L.T. descending mid-phrase (SD: 1-7-6-5)
Chorale 051	1	B	L.T. descending mid-phrase (SD: 1-7-6-7-1)
Chorale 051	1	A	L.T. dropping to SD6 in V-vi progression
Chorale 051	7	A	L.T. up to SD3 (L.T. doubled here); effect weakened by impending modulation
Chorale 051	9	T	Temporary L.T. in V7/IV dropping to fifth of IV chord
Chorale 052	3	A	L.T. down to SD5 via p.t.
Chorale 052	5	T	L.T. dropping to SD6 in V-vi progression
Chorale 056	4	S	L.T. descending mid-phrase (SD: 1-7-6-5)
Chorale 057	1	A	L.T. to SD5 (in V-I pickup to start chorale)
Chorale 069	10	T	Temporary L.T. down to temporary SD5 by step

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IVj. RESOLUTION ISSUES: Doubled leading-tone

Chorale #	Measure	Voices	Description
Chorale 006	5	ST	Doubled L.T. of original key, in midst of modulation
Chorale 014	3	AB	Doubled L.T. in V6-IV6 progression
Chorale 014	12	AB	Doubled L.T. in V6-IV6 progression
Chorale 019	6	ST	Doubled L.T. in IV-V progression
Chorale 022	12	AT	Doubled L.T. in IV7-V progression
Chorale 028	4	SA	Doubled temporary L.T. in V7/IV; one in S. goes unresolved
Chorale 029	2	SB	Doubled L.T. in viio6/V-V6 progression (Effect weakened by tonicization of V, and by oncoming modulation to V)
Chorale 031	5	ST	Doubled L.T. in V chord (Effect weakened by oncoming modulation to vi)
Chorale 031	9	AB	Doubled L.T. in V6 chord (Effect weakened by oncoming modulation to ii)
Chorale 039	5	AB	Doubled L.T. in V6 chord (Effect weakened by oncoming modulation to vi)
Chorale 051	7	AT(B)	Doubled L.T. at unison; T. then transfers its L.T. to B.
Chorale 056	4	ST	Doubled L.T. in V chord of unusual progression: V-ii-iii-IV
Chorale 056	12	SAT	Tripled L.T.!! At unison; effect weakened by impending modulation
Chorale 058	1	ST	Doubled L.T. in V-IV progression
Chorale 067	12	AT	Doubled L.T. in tonicized V chord; viiø7/V-V
Chorale 069	6-7	AB	Doubled L.T. in V, heading into modulation (V becomes new I)

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Va. VOICE LEADING ISSUES: Parallel octaves

Chorale #	Measure	Voices	Description
			None found yet.

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Vb. VOICE LEADING ISSUES: Parallel fifths

Chorale #	Measure	Voices	Description
Chorale 003	6	TB	Occur after a cadence
Chorale 008	2,4,6,16	ST	Non-structural parallels; caused by anticipations in S. (SD:2-1) and SD:5-4 motion in T. in V7 chord
Chorale 048	4	ST	Non-structural parallels; caused by anticipations in S. (SD:2-1) and SD:5-4 motion in T. in V7 chord
Chorale 064	7	AT	Blatant!

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Vc. VOICE LEADING ISSUES: Implied parallel octaves

Chorale #	Measure	Voices	Description
Chorale 004	9	ATB	Implied parallel octaves, prevented by crossing voices
Chorale 018	7,12	SAT	Implied parallel octaves, prevented by crossing voices
Chorale 019	6	ST	Implied parallel octaves, masked by chordal skip in T. (also involves doubled L.T.)
Chorale 033	1-2	SAT	Implied parallel octaves, prevented by crossing voices
Chorale 050	4-5	SAB	Implied parallel octaves, prevented by crossing voices
Chorale 057	5	SAT	Implied parallel octaves, prevented by crossing voices

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Vd. VOICE LEADING ISSUES: Implied parallel fifths

Chorale #	Measure	Voices	Description
Chorale 003	6	ATB	Implied parallel 5ths; AT voice-crossing to prevent parallelism
Chorale 006	5	AB	Implied parallel 5ths; prevented by chordal skip and p.t.
Chorale 019	6	AB	Implied parallel 5ths; masked by chordal skip in A.
Chorale 023	5-6	SAT	Implied parallel 5ths; AT voice-crossing
Chorale 044	6	SAT	Implied parallel 5ths; AT voice-crossing (in viiø7/V-V progression)
Chorale 071	7	ST	Implied parallel 5ths; masked by anticipation in S.
Chorale 071	11	SAT	Implied parallel 5ths; AT voice-crossing

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Ve. VOICE LEADING ISSUES: Consecutive octaves in contrary motion

Chorale #	Measure	Voices	Description
Chorale 074	10	AB	Following a cadence (Also consecutive P5s between T/B here)

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Vf. VOICE LEADING ISSUES: Consecutive fifths in contrary motion

Chorale #	Measure	Voices	Description
Chorale 013	8	ST	At cadence
Chorale 027	5	TB	Not at a cadence; T. leap prevents parallel fifths w/ S. (by not moving down to the C) or doubled L.T. w/ A. (by not moving up to E)
Chorale 074	10	TB	Following a cadence (Also consecutive P8s between A/B here)

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Vg. VOICE LEADING ISSUES: Direct fifths/octaves involving outer voices with leap in S.

Chorale #	Measure	Voices	Description
Chorale 004	7	SB	Revoicing of a I chord
Chorale 015	5	SB
Chorale 021	11	SB
Chorale 024	1	SB
Chorale 045	1	SB
Chorale 054	5	SB

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Vh. VOICE LEADING ISSUES: Chordal skip used to prevent parallelism

Chorale #	Measure	Voices	Description
Chorale 002	12	T	Chordal skip prevents parallel octaves with S.
Chorale 006	5	A	Chordal skip prevents parallel fifths with B.
Chorale 011	31-32	T	Chordal skip prevents parallel (or consecutive) fifths with B. (Octave leap in B. also masks the fifths.)
Chorale 019	6	T	Chordal skip prevents parallel octaves w/ S.
Chorale 019	6	T	Chordal skip prevents parallel fifths w/ B. (chromatic p.t. in B. also hides parallelism.)
Chorale 021	2	T	Chordal skip prevents parallel fifths w/ S.
Chorale 026	1	T	Chordal skip prevents consecutive octaves in contrary motion w/ B.
Chorale 030	3	T	Chordal skip prevents obtrusive consecutive d5 to P5 w/ S.
Chorale 051	1	T	Chordal skip prevents parallel fifths w/ B.
Chorale 054	3	T	Chordal skip prevents parallel fifths w/ B.
Chorale 065	2	T	Chordal skip prevents contrary fifths w/ B.
Chorale 073	6	T	Chordal skip prevents parallel fifths w/ S.
Chorale 074	11	T	Chordal skip prevents parallel fifths w/ B.

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Vi. VOICE LEADING ISSUES: Voice-exchange

Chorale #	Measure	Voices	Description
Chorale 001	8	ST
Chorale 001	14-15	ST
Chorale 002	7	SB	If B. tone is a B (Printing in Schirmer edition is ambiguous.)
Chorale 002	11	AB
Chorale 003	1	SB
Chorale 003	5-6	SB
Chorale 006	7	SB
Chorale 008	1	TB
Chorale 010	7	TB	With no intermediate harmony
Chorale 011	14	AB
Chorale 013	4	ST	With no intermediate harmony
Chorale 013	7	SB	With no intermediate harmony
Chorale 013	9	SB	With no intermediate harmony
Chorale 014	8	AB
Chorale 014	8-9	TB	Progression: IV6-I64-ii65
Chorale 014	10	AB	Progression: ii-I64-V42
Chorale 015	3	AB	With p.t.s
Chorale 015	5	TB
Chorale 016	9	SB	Progression: i6-viio6-i
Chorale 016	13	TB
Chorale 017	6	AB	With no intermediate harmony
Chorale 017	11	TB	With no intermediate passing harmony
Chorale 020	9	AT	With no intermediate passing harmony
Chorale 021	3	AB
Chorale 026	1	ST
Chorale 027	1	TB	Embellished w/ 7-6 sus. in T.
Chorale 029	1,3,9	ST	Two instances in m.9
Chorale 029	7-8	SB
Chorale 037	1	AT
Chorale 037	9	ST
Chorale 038	7	ST
Chorale 040	4-5	TB
Chorale 041	12	TB	With no intermediate harmony; Embellished with a 7-6 sus. in T.
Chorale 041	13	TB	With no intermediate harmony
Chorale 042	1	AB	Progression: viio6-I-V6
Chorale 042	8	TB	With passing I64: IV6-I64-ii65
Chorale 043	6-7	TB	With no intermediate harmony
Chorale 044	1-2	ST
Chorale 044	2-3	SB	Obscured by TB voice-crossing; Progression: V-(vi)-viio6/V-V
Chorale 045	1-2	AB	With passing iv64: viio65-iv64-V65
Chorale 045	3	TB	Involves voice-crossing; no intermediate harmony
Chorale 045	5	AB	With no intermediate harmony
Chorale 045	5	ST
Chorale 045	8	ST	With no intermediate harmony
Chorale 045	9	ST
Chorale 045	12	AB	With no intermediate harmony
Chorale 046	3-4	SB	Progression: V43/IV-IV6-I6
Chorale 046	7	SB	Involves TB voice-crossing; Progression: IV-iii-IV64
Chorale 047	1	AB	Progression: V6-i-viio6
Chorale 047	3	TB	Progression: v6-iv6-v
Chorale 047	5	SB	Progression: IV42-viio6-i
Chorale 047	9	TB	Progression: I6-viio6-I
Chorale 048	1	ST
Chorale 049	1-2	TB	Progression: IV42-viio6-i
Chorale 049	9	SB	Complicated harmonic passage
Chorale 049	9-10	AT
Chorale 049	11	SA	Involves voice-crossing; rhythmically obscured
Chorale 050	5,7	ST
Chorale 050	11	SB	Progression: I6-ii-viio6-I
Chorale 051	5	ST
Chorale 051	8	SB	Progression: ii-I6-ii65
Chorale 052	1	SB	Progression: V6-viio43/V-V
Chorale 052	5-6	SA
Chorale 052	7	ST
Chorale 052	12	TB	With no intermediate harmony
Chorale 053	2-3	ST	Exchanges twice
Chorale 054	1	AB	With no intermediate harmony
Chorale 055	5-6	ST
Chorale 056	5-6	AT
Chorale 056	9	SB	No intermediate harmony
Chorale 056	9-10	SB	With passing V64: i6-V64-i
Chorale 056	11	SATB	Double exchange! SB exchange; AT exchange involving voice-crossing; Progression: v6-VI-v
Chorale 057	7	ST	5-note voice exchange; complicated by staggered rhythm
Chorale 058	1	SB	Progression: V-IV6-V6
Chorale 058	3	ST	Unusual progression: iii-IV-iii6
Chorale 058	5	AB	Progression: vi-VI64-IV7
Chorale 059	1	AB	Progression: iv7-i64-iiø43
Chorale 059	2	SB	Progression: i6-viio6-i
Chorale 059	8-9	SB	Progression: IV-V7-IV65
Chorale 060	3	SB	Progression: IV42-viio6-i
Chorale 060	7	AB	No intermediate harmony (only A. has p.t.)
Chorale 060	8-9	AB	Progression: V42-I6-ii
Chorale 060	9	TB	No intermediate harmony (only T. has p.t.)
Chorale 061	3	SB	Progression: IV-iii6-IV65
Chorale 061	8	AB	No intermediate harmony
Chorale 061	15	ST	No intermediate harmony
Chorale 062	1	ST	Progression: i-V6-i
Chorale 062	8	AB	Progression: iiø65-V-iiø43
Chorale 063	5	SB	Progression: I6-(ii)-viio6-I
Chorale 063	7	ST	Progression: vi-V6-I
Chorale 064	1-2	SB	Unusual progression: I-V/V-I6
Chorale 064	9	TB	Staggered by suspensions in T. (Fundamental progression: I-ii-I6)
Chorale 065	1	ST	Progression: I-V6-I
Chorale 065	7-8	TB	Progression: IV6-I64-ii65
Chorale 066	9-10	TB	No intermediate harmony
Chorale 066	10-11	ST	Progression: i-v6-VI
Chorale 066	11	SB	Progression: (i64)-iio6-i6
Chorale 067	1	ST	Progression: I-V6-I
Chorale 067	7	TB	No intermediate harmony (only T. has p.t.)
Chorale 067	7-8	SB	Progression: IV-V-IV6
Chorale 067	9	ST	No intermediate harmony
Chorale 068	3	TB	Staggered by sus. in T.; Progression: V65/V-V-viio6/V
Chorale 069	4	SB	Progression: V42-I6-ii
Chorale 069	9	SB	Progression: I6-viio6-I; B. decorated
Chorale 069	9	ST	No intermediate harmony
Chorale 069	10	SB	Progression: iv-V-iv6
Chorale 069	10-11	AT	Progression: V-iv6-V
Chorale 069	16	ST	No intermediate harmony
Chorale 069	22	SB	No intermediate harmony (only B. has p.t.)
Chorale 070	5-6	TB	Progression: IV6-I64-ii65
Chorale 070	7	TB	No intermediate harmony
Chorale 070	9-10	SB	Progression: V42-I6-ii7(viio6)
Chorale 070	19	ST	Staggered; Implied progression: V/V-V64-V/V (with no 3rd in the V64 chord)
Chorale 071	1-2	SB	2 instances; Progression: i-V64-i6-V64-i
Chorale 071	3-4	SB	Progression: IV42/iv-viio6/iv-iv
Chorale 071	7	TB	Staggered; No intermediate harmony
Chorale 071	12	SB	Progression: i-V64-i6
Chorale 072	3	AB	No intermediate harmony (only A. has p.t.)
Chorale 073	5	AT	Staggered, decorated
Chorale 073	5-6	TB	Progression: (iio64)-(III+6)-iv7
Chorale 073	7	AT	Progression: V42-i6-(iiø7)-viio65
Chorale 073	7	SA	No intermediate harmony
Chorale 073	10	TB	Progression: iv6-i64-iiø65
Chorale 074	9-10	TB	Progression: IV6-I64-ii65
Chorale 074	11	ST	Unusual: G-C in S. against C-Bb-A-G in T.
Chorale 075	9	TB	No intermediate harmony

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Vj. VOICE LEADING ISSUES: Chromatic voice-exchange

Chorale #	Measure	Voices	Description
Chorale 010	12-13	TB	Doubly altered: vii6-iv64-V65 (vii6 chord built on subtonic and includes flat-SD2)
Chorale 016	16	TB	Same progression as Chorale 10 (12-13)
Chorale 026	7	TB	Doubly altered: (in G minor) iiø43&-III+6-viio7/V
Chorale 043	11	AB	Progression: viio42-V-viio7/V
Chorale 047	11-12	TB	With passing i64: iv6-i64-viio7/V
Chorale 049	8-9	AB	Progression: V6-i-V/III
Chorale 069	9-10	AT	Progression: VII-iv6-V7
Chorale 069	19	TB	Same octave w/ voice crossing; Progression: I(6)-(p.t.s)-V65/ii
Chorale 073	4	TB	Progression: iv6-(viio42)-i64-viio7/V

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VIa. MELODIC ISSUES: Awkward Motion: augmented melodic intervals

Chorale #	Measure	Voices	Description
Chorale 007	21	A	Ascending A2
Chorale 023	2,10	B	Ascending A8 (after cadence)
Chorale 048	9	B	Ascending A4 (SD4 to L.T.)
Chorale 057	5-6	B	Ascending A5 (SD1 up to raised SD5)
Chorale 072	6	B	Ascending A5 (after cadence)

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VIb. MELODIC ISSUES: Awkward Motion: 7ths, 9ths or greater intervals

Chorale #	Measure	Voices	Description
Chorale 003	6	T	Ascending m7 (Check score. Printing in Schirmer edition is ambiguous.)
Chorale 018	12	A	Ascending M7 (continuing up afterward!)
Chorale 024	2	B	Ascending P15! (D2 to D4) (after cadence)
Chorale 027	8	B	Ascending M7 (after cadence)
Chorale 034	6	T	Ascending octave leap followed by step in same direction
Chorale 036	6-7	T	Descending octave approached in same direction
Chorale 043	7	B	Descending m7 (SD:4-5)
Chorale 066	12	B	Ascending M10 (after cadence)
Chorale 072	1	B	Ascending m7 (SD:5-4)

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VIc. MELODIC ISSUES: Awkward Motion: Leap into a dissonance

Chorale #	Measure	Voices	Description
Chorale 029	12	B	I(53)-V42 progression; Descending leap into seventh in B.

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VId. MELODIC ISSUES: Raised SD6 to prevent melodic augmented 2nd

Chorale #	Measure	Voices	Description
Chorale 003	2	A	Raised SD6 to prevent A2
Chorale 003	9	A	Raised SD6 to prevent A2
Chorale 010	2	A	Unusual: Use of raised SD6 but lowered SD7 in descent to SD5 (lowered SD7 to anticipate III chord on next beat??)
Chorale 012	13	B	Raised SD6 to prevent A2 (clashes with lowered SD6 in next chord!)
Chorale 013	5	A	Raised SD6 to prevent A2 (causes #vio64 chord)
Chorale 015	7	B	Raised SD6 to prevent A2 (IV6-V6)
Chorale 016	2	A	Raised SD6 to prevent A2
Chorale 016	9	A	Raised SD6 to prevent A2
Chorale 022	6	T	Raised SD6 in tonicized key area to prevent A2
Chorale 028	7	B	Raised SD6 to prevent A2
Chorale 028	7	A	Raised SD6 to prevent A2
Chorale 030	3	A	Raised SD6 to prevent A2
Chorale 030	11	B	Raised SD6 to prevent A2
Chorale 033	1	S,B	Raised SD6 to prevent A2
Chorale 037	1-2	B	Raised SD6 to prevent A2
Chorale 040	7	B	Raised SD6 to prevent A2 (in tonicized key: IV65/vi-viio/vi-vi)
Chorale 041	9	A	Raised SD6 to prevent A2
Chorale 041	9	T	Raised SD6 to prevent A2
Chorale 045	1,4	A	Raised SD6 to prevent A2
Chorale 045	4	B	Raised SD6 to prevent A2
Chorale 045	8	B	Raised SD6 to prevent A2
Chorale 048	3	B	Raised SD6 to prevent A2
Chorale 049	1	A	Raised SD6 to prevent A2
Chorale 052	10	B	Raised SD6 to prevent A2
Chorale 053	6	T	Raised SD6 to prevent A2
Chorale 055	9	B	Raised SD6 to prevent A2
Chorale 056	1	B	Raised SD6 to prevent A2 (diatonic in dorian mode)
Chorale 056	14	A	Raised SD6 to prevent A2
Chorale 056	16	S	Raised SD6 to prevent A2
Chorale 057	1	T	Raised SD6 to prevent A2
Chorale 057	7	B	Raised SD6 to prevent A2
Chorale 058	17	B	Raised SD6 to prevent A2
Chorale 060	3-4	A	Raised SD6 to prevent A2; SD6 moving to SD5
Chorale 061	10	A	Raised SD6 to prevent A2
Chorale 067	10	A	Raised SD6 (in tonicized key area) to prevent A2
Chorale 071	3	T	Raised SD6 (in tonicized key area) to prevent A2; (IV42/iv-viio6/iv-iv
Chorale 071	12	B	Raised SD6 to prevent A2

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VIe. MELODIC ISSUES: Chordal skip to prevent (or mask) awkward interval

Chorale #	Measure	Voices	Description
Chorale 015	10	T	Chordal skip to prevent A2

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VIIa. DIATONIC SEVENTH CHORDS (OTHER THAN V7): I7

Chorale #	Measure	Voices	Description
Chorale 005	1		I7 passing chord
Chorale 012	3		I7 (p.t. in S. creates seventh)
Chorale 019	1		i7 (p.t. in A. creates seventh)
Chorale 029	3		I7 (p.t. in T. creates seventh)
Chorale 029	5		I42; created by p.t. in B. in I-IV6 progression
Chorale 029	9		I7 (p.t. in A. creates seventh)
Chorale 049	1		i7 (p.t. in T. creates seventh)
Chorale 052	11		I42 (created by p.t. in B.)
Chorale 058	16		I65 (p.t. in T. creates seventh)
Chorale 071	2		i42 (p.t. in B. creates seventh)
Chorale 072	1		i7 (p.t. in A. creates seventh)
Chorale 073	9		I7 (with unresolved seventh; leading into a modulation) (or is it a i6 with an non-resolving 7-6 suspension?)

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VIIb. DIATONIC SEVENTH CHORDS (OTHER THAN V7): II7

Chorale #	Measure	Voices	Description
Chorale 001	6,20		ii65
Chorale 002	3		ii65
Chorale 002	11		ii42
Chorale 005	2,16		ii7
Chorale 006	6		ii7
Chorale 006	7		iiø7 chord (altered to be half-diminished in a major key)
Chorale 007	3		ii65 chord
Chorale 007	7		ii65 chord
Chorale 007	11		iiø65
Chorale 007	14		ii65 chord
Chorale 008	2,6,10,12		iiø65
Chorale 008	4		ii65
Chorale 009	12		ii65
Chorale 011	7		ii65
Chorale 011	10,19		iiø65
Chorale 011	11,17,22		iiø43
Chorale 011	23,30		ii7
Chorale 012	14		ii7 (w/o fifth) in C major (or iv7 in a minor?)
Chorale 013	16		iiø65
Chorale 014	9		ii65
Chorale 015	2,8,10		iiø65
Chorale 015	6		ii65
Chorale 020	8,12		ii65
Chorale 021	10		ii65
Chorale 022	7,9		ii65
Chorale 023	3,5,11		iiø65
Chorale 024	11		ii65 (moves to ii7 before going to V)
Chorale 025	6		ii65
Chorale 025	12		iiø65
Chorale 026	6		ii65
Chorale 027	5		ii7
Chorale 027	7		ii42
Chorale 028	2		iiø65
Chorale 030	1		iiø43
Chorale 030	11		iiø65
Chorale 031	2,8		ii65
Chorale 031	4,10		iiø65
Chorale 032	7		ii65
Chorale 033	2,3,8		iiø65
Chorale 033	3		iiø42
Chorale 034	1		iiø42
Chorale 034	2		iiø65
Chorale 034	6		ii65
Chorale 034	10		ii7
Chorale 035	7		ii65
Chorale 036	5,12		ii65
Chorale 036	11		ii7 (apparent chord)
Chorale 037	3,11		iiø65
Chorale 037	10		iiø42
Chorale 038	2,4,8,10		ii65
Chorale 039	3		ii7
Chorale 039	4,10		ii65 (moving to ii7 before resolving)
Chorale 039	6,8,12		iiø65 (moving to iiø7 before resolving)
Chorale 040	4		ii65
Chorale 041	7		ii65 (moves to ii7 before going to V)
Chorale 041	8		iiø42 (or is it a viio7 with an accented p.t. in B.?)
Chorale 041	12		ii65
Chorale 042	3		ii65
Chorale 042	9		ii65
Chorale 044	4		ii65
Chorale 045	6		ii65
Chorale 045	13		iiø65 (moving to iiø7 before resolving)
Chorale 046	6,7		ii65
Chorale 047	4		iiø43
Chorale 048	4		iiø65
Chorale 048	6		iiø65 (moves to r.p. before going to V)
Chorale 049	2		iiø65 (two instances)
Chorale 050	11		ii43 (becomes IV6 before moving to cadential 64)
Chorale 051	8		ii65
Chorale 052	4		ii7
Chorale 053	9		iiø42
Chorale 053	13		ii65
Chorale 054	9		ii65
Chorale 055	6		ii7 (7-6 in A. creates a ii7-viio6 progression)
Chorale 056	5		ii7 (7th created by p.t.) (leads unusually to iii)
Chorale 057	8		iiø65
Chorale 058	4		iiø7
Chorale 060	5		ii65 (moves to r.p. before going to V)
Chorale 061	3,15		ii65
Chorale 061	6,10		iiø42
Chorale 062	4		iiø65
Chorale 062	7		ii65
Chorale 064	10		iiø43 (resolves into a cadential 64)
Chorale 065	4,8		ii65
Chorale 067	9		ii7 with missing fifth (or is it a viio6 with a 7-6 sus. in A.?)
Chorale 068	2		ii65
Chorale 069	17		ii7 with missing third
Chorale 069	24		ii65
Chorale 070	10		ii7 with missing fifth (or is it a viio6 with a 7-6 sus.?)
Chorale 070	10		ii65 (moves to r.p. before going to V)
Chorale 071	7		iiø65
Chorale 071	9		ii65
Chorale 073	3,5		iiø42
Chorale 073	8		ii65
Chorale 074	2		ii65
Chorale 075	10		iiø42
Chorale 075	10		iiø65

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VIIc. DIATONIC SEVENTH CHORDS (OTHER THAN V7): III7

Chorale #	Measure	Voices	Description
Chorale 011	31		iii7 (resolves into a I6 chord)
Chorale 012	14		iii7 (or is it (minor) v7 in relative minor?)
Chorale 016	1		III43 (apparent chord)
Chorale 020	3		III7 (created by p.t. in T.)
Chorale 022	13		III7 (created by double p.t.s in S. and A.)
Chorale 029	9		iii7 (created by double p.t.s in S. and A)
Chorale 033	7		iii7 (apparent chord)
Chorale 035	5		iii65 on final eighth note beat (or is it a Vadd6 chord?)
Chorale 037	7		iii7 (created by p.t.s in S. and T.)
Chorale 050	1		iii7 (created by accented p.t.s in T. and B.)
Chorale 050	1		iii43 (apparent chord created by p.t.s in T. and B.)
Chorale 056	5		iii7 (created by p.t. in A.)

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VIId. DIATONIC SEVENTH CHORDS (OTHER THAN V7): IV7

When IV7 moves to V, explanation is given how parallel fifths and doubled leading-tone are avoided.

Chorale #	Measure	Voices	Description
Chorale 002	10		IV7(-v); SD1 to SD5 in A.
Chorale 004	6		IV7(-V); SD1 to SD1 in A.
Chorale 005	3		IV7(-V); SD6 to SD2 in T.
Chorale 005	5		IV65; SD6 to SD5 delayed by suspension to prevent parallels
Chorale 007	2		IV7(-V42); Parallel fourths
Chorale 009	3		IV7(-V42); incomplete IV7
Chorale 009	9,11		IV65(-viio)
Chorale 010	5		iv7(-V); Parallel fourths
Chorale 010	7		iv7(-V); SD6 to SD2 in T.
Chorale 011	3		IV7(-V); Parallel fourths
Chorale 012	14		iv7(-v7); Incomplete iv7
Chorale 013	6		iv7(-V); SD6 to SD2 in T. via a chordal leap to SD4
Chorale 013	7		iv7(-iv6-V)
Chorale 013	10		Major IV65 in minor key (IV65-V6)
Chorale 013	14		Major IV42 in minor key (IV42-viio6)
Chorale 014	4		IV7(-V); SD6 to SD2 in T.
Chorale 014	7		Major IV65 in minor key (IV65-V6)
Chorale 015	7		Major IV65 in minor key (IV65-V6)
Chorale 016	5		iv7(-V); Parallel fourths
Chorale 017	3		IV7(-V); SD6 to SD2 in T.
Chorale 022	12		IV7(-V); Doubled leading-tone!
Chorale 026	2		IV7(-V); SD1 to SD5 in T.
Chorale 026	9		IV7(-V); SD1 to SD5 in A.
Chorale 029	7		IV7(-V); Parallel fourths
Chorale 030	11		IV65(-V65); (major IV in minor key)
Chorale 033	1		Two instances: IV7-V-IV65-V6 (major IV chords in minor key); In first IV chord, SD5 to SD1 in T.
Chorale 033	8		iv43(-V65); Parallel fourths
Chorale 034	4,13		iv7 (both occur in iv7-V cadences); Parallel fourths
Chorale 036	1		IV7(-V42); Parallel fourths
Chorale 045	4,8		IV65 in minor key (IV65-viio6
Chorale 047	5		IV42 in minor key (IV42-viio6)
Chorale 047	10		IV7(-V7); SD:6-(5)-4 in T., with SD5 being an unaccented p.t.
Chorale 048	3		IV65 in minor key (IV65-viio)
Chorale 049	6		iv7(-V) with missing third; SD1 to SD5 in T.
Chorale 049	7		IV65 in minor key (IV65-viio)
Chorale 050	2		IV65(-V65)
Chorale 050	5		IV7(-V); SD1 to SD5 in T.
Chorale 052	12		IV7(-V); Parallel fifths masked by suspension in A. (implied parallels also alleviated by immediate move to add seventh in A. after suspension resolution; SD:6-5-4)
Chorale 052	14		IV7(-V); SD6 to SD2 in T.
Chorale 054	2		IV7(-V); Parallel fourths
Chorale 054	6		IV7(-V); SD6 to SD2 in T.
Chorale 054	7		IV65(-viio)
Chorale 055	3		iv65-iv7(-V/III) with missing third (iv7 functions more as a ii7/III here.)
Chorale 058	5		IV7(-V); SD6 to SD2 in A.
Chorale 058	16		IV65(-V6); Parallel fifths masked by suspension in A.
Chorale 058	17		IV65(-V6) (major IV in a minor key)
Chorale 059	1		iv7(-i64-iiø43) in a voice-exchange
Chorale 059	9		IV65(-V65)
Chorale 061	3		IV65(-viiø42-I64-ii65)
Chorale 061	14		Two instances: IV42(-viio6) and IV7(-v); SD1 to SD5 in T. in second instance
Chorale 062	2		iv7(-v); Parallel fourths
Chorale 063	2		Two instances at a modulation: IV65(-ii64-ii43); then ii43 becomes iv43(V6)
Chorale 063	5		IV7(-V) with missing third; SD1 to SD5 in T.
Chorale 066	8,12		iv7(-v); SD6 to SD2 in A. (m.8); SD6 to SD2 in T. (m.12)
Chorale 067	7		IV7(-V); Parallel fourths
Chorale 069	1,4		IV7(-V); Parallel fourths in both instances (exact same progression)
Chorale 069	7		IV7(-v); SD1 to SD5 in T.
Chorale 071	7		(Implied; delayed B.) iv7(-iiø65-V); moving to iiø65 before going to V prevents parallels
Chorale 071	11		iv7(-V); parallel fourths (pivot chord in modulation to e minor)
Chorale 072	1		iv7(-V); Parallel fourths
Chorale 072	2,8		iv7(-v); SD6 to SD2 in T. (m.2); Parallel fourths (m.8)
Chorale 073	5		iv42(-VII6-VI6)
Chorale 073	6		iv7(-V); SD6 to SD2 in T.

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VIIe. DIATONIC SEVENTH CHORDS (OTHER THAN V7): VI7

Chorale #	Measure	Voices	Description
Chorale 001	5		vi65
Chorale 002	11		vi65
Chorale 011	13		vi7
Chorale 014	12		vi7
Chorale 018	2		vi65
Chorale 020	1		vi42 (w/ missing fifth)
Chorale 022	13		vi7
Chorale 024	5		vi7 (as a passing chord expanding V7
Chorale 026	3		vi7
Chorale 029	2		vi7 with missing fifth (or is it an apparent chord, the result of a 7-6 suspension in the A.?)
Chorale 030	1		VI7 (apparent chord, the result of a 7-6 suspension (S.) in a iv6 chord)
Chorale 037	6		vi42 (apparent chord, the result of an accented p.t. in B. in a IV7 chord)
Chorale 039	3		vi7 (in a circle-of-fifths progression: vi7-ii7-V7-I)
Chorale 050	4		vi7 (functions as ii7/V; progression: vi7-viio6/V-V)
Chorale 051	1		vi42; created by p.t. in B.
Chorale 052	14		vi42 (apparent chord, seventh resolves down alone, creating a IV7
Chorale 059	6		vi7 (seventh created by p.t. in A.) (Or is it a i7 in A minor? tonal ambiguity)
Chorale 062	3		vi7 (Or is it a i7 in the original key of B minor?)
Chorale 063	10		vi65
Chorale 070	12		vi7 (created by quick leap in B. out of a I6 chord); Seventh not resolving!

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VIIf. DIATONIC SEVENTH CHORDS (OTHER THAN V7): viio7

Chorale #	Measure	Voices	Description
Chorale 007	32		viiø7 (with missing 3rd!)
Chorale 011	15		viiø7
Chorale 011	18,26		viio43
Chorale 012	13		viio7
Chorale 013	5		viio7 (moves to V65 before resolving)
Chorale 015	3		viio65
Chorale 018	12		viiø42 (apparent chord)
Chorale 019	3		viio42 (moves to V7 before resolving)
Chorale 019	4		viio65 (moves to V7 before resolving)
Chorale 019	8		viio43 (moves to V42 before resolving)
Chorale 020	10		viio43 (moves directly to I in r.p.)
Chorale 021	7		viio42 (moves to V6(!) before resolving)
Chorale 022	9		viiø7
Chorale 029	8		viiø7
Chorale 031	7,8		viiø7
Chorale 031	9		viio7
Chorale 034	3		viiø65
Chorale 035	6		viiø7
Chorale 037	4		viio65
Chorale 037	10		viio7
Chorale 041	1		viioø43; created by p.t.s in A. and T.
Chorale 041	10		viio7
Chorale 043	11		viio42
Chorale 043	14		viio43 (fully-diminished in major key)
Chorale 049	6		viio42 (moves to V via an intermediate iv7)
Chorale 052	8		viio43 (missing third of chord)
Chorale 052	13		viiø7 (or is it a 7-6 sus. into a V65 chord?)
Chorale 056	8		viiø43 (created by p.t.s in A. and T.)
Chorale 057	3		viiø7
Chorale 058	18		viiø7 (moves to V65 before resolving)
Chorale 059	3,10		viio7
Chorale 057	3		viiø7
Chorale 061	3,15		Rare viiø42 chords (resolving to a I64)
Chorale 064	2		viiø7
Chorale 065	3,9		viiø7 (created by p.t.s)
Chorale 066	3		viiø65 (half-dim) in minor key, created on weak beat by p.t.; caused by Dorian mode
Chorale 067	12		Apparent viiø43 chord, created by p.t.s (parallel tenths, SD: 5-4-3 in B. with 7-6-5 in A.)
Chorale 069	6		viiø7 (created by p.t.s)
Chorale 070	16		viiø7 (created by p.t.s)
Chorale 071	1		viiø7 (above a tonic pedal)
Chorale 073	4		viio42 (resolves into a i64, part of a voice-exchange involving B.)
Chorale 075	10		viio7

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VIIg. DIATONIC SEVENTH CHORDS (OTHER THAN V7): minor v7 in minor key

Chorale #	Measure	Voices	Description
Chorale 012	14		Minor v7 in a minor key(?) (or iii7 in relative C major?)

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VIIIa. PROGRESSION ISSUES: Unusual progression

Chorale #	Measure	Voices	Description
Chorale 002	9		A: V7-(ii)-iii(I6?)-ii
Chorale 004	8		f#: i-V (direct mod.) - E:I (C# major chord to E major chord)
Chorale 005	1		G: IV-V-vi-V-ii
Chorale 010	2-3		a: i-VII6-ii7(not dim.)-III-#vio6-V (#vio6 as a viio43/V chord w/o a root)
Chorale 011	14		C: V6-(ii64)-iii6-IV6
Chorale 011	30-31		C: V-iii7-I6
Chorale 012	14-16		a: i-iv7-v7-VI-viio7/V-V-I C: vi-ii7-iii7-IV-viio7/iii (a: viio7/V-V-I)
Chorale 013	2-3		C: V-viio6/V(-V43/V)-V64-V53-I
Chorale 014	11-12		G: V-iii
Chorale 024	1-2		D: viio6-IV6-I
Chorale 029	2		D: V42-I53 (T. crossing B. to create V42 chord)
Chorale 029	8		G: viiø43/V-V(53) (tritone w/ B. not resolving normally)
Chorale 031	5		C: V-ii6(-viio64)-vi (retrogression)
Chorale 036	11		A: I-ii7-iii-IV (ii, iii chords are passing chords)
Chorale 037	1-2		a: i-V6-(#viø7-III+6)-IV-viio6-i
Chorale 038	1		Eb: V6-iii
Chorale 051	8		G: ii-I6-ii65-V-vi7-viio6-I
Chorale 056	4-5		D: V-ii(7)-iii(7)-IV
Chorale 058	2-3		D: iii-IV-iii6-IV6-iii6 (final iii chord is a pivot chord modulating into the key area of iii.)
Chorale 059	8-9		Bb: IV-(V7 or iii6?)-IV65 (ambiguity caused by chain of suspensions in A.)
Chorale 060	7		A: V6-iii6(-IV6-V65-I); iii6 standing in for V, with only melody note preventing V53.
Chorale 070	7		C: V7-vi6
Chorale 071	4		e: viio43-i53 at cadence (plagal sounding)

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VIIIb. PROGRESSION ISSUES: Chord with ambiguous function

Chorale #	Measure	Voices	Description
Chorale 012	10		B major 63 chord could effectively be V6/iii in C, V6/ii in D, V6/vi in G, V6/V in a. A minor is eventuated.
Chorale 020	5		Beat 2: Two accented p.t.s in T. and B. produce V7/V, but chord is not resolving properly and A. is not cooperating at all. G# enters prematurely, and confuses the matter
Chorale 026	7		Beat 2: viiø43/iv not going to iv? iiø43 chord in g minor, which is not established until a couple beats later?
Chorale 028	5		Beat 3: viio/vi with a B. pedal, and with no resolution to vi? Or chromatic p.t. in A? (Former is a better interpretation.)
Chorale 031	5		Beat 4: V42 (with implied missing root) in key of C moting to root position vi? viio64 in C moving deceptively to r.p. vi? ii chord (w/ p.t. in A.) moving unusually to vi?
Chorale 036	11-12		viio (w/ frustrated L.T. in T.) moving to I6 (w/ missing implied root (implied 7-6 suspension in S.) and appoggiatura in A.)? Or ii (w/ hidden fifths w/ T.) moving to iii (or I6)?
Chorale 038	7		First half of beat 3: I in old key w/ 9-8 suspension in A.? A/T behave as if in new key one half beat before S/B.
Chorale 066	7		Beat 1: What sounds like a major IV65 in minor ends up being a V65/V in the key area of III
Chorale 066	11		Beat 2: e diminished chord—viio6 of F major, or iio6 of D minor?
Chorale 066	11		Second half of Beat 3: F major is hinted at here. Is it V7/vi (with a bass pedal) that resolves deceptively to IV in F major? Is it a V7 (with a bass pedal) of D minor, with a deceptive resolution to VI that is reinforced with a pseudo V-I bass motion? Is it a V+/VI in D minor with a p.t. in the S.?
Chorale 066	13		Beat 4: d minor 6 chord—A i chord in d minor (surrounding B-naturals confuse)? A ii chord in C major (a key not established strongly in surrounding context)? Or a iv chord in A minor (surrounding G-naturals do not strengthen an A minor tonality)?
Chorale 074	7		Beat 3: IVadd2 (Why did Bach not move the T. to Bb?)

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VIIIc. PROGRESSION ISSUES: Highly chromatic progression

Chorale #	Measure	Voices	Description
Chorale 009	7-8		All but F used (though passage is not tonally ambiguous)
Chorale 012	8-10		Tonicization of ii then iii, the latter of which becomes V of a new key creates tonal ambiguity.
Chorale 012	13-15		Raised and lowered SD6 clash (minor ii64 chord to viio7)
Chorale 016	13-14		G#-G-G#; D#-D-D#; A-A#-A all appear in this passage
Chorale 026	7-8
Chorale 061	11-12		Eb major to Gb major chord sequence (chromatic mediant) in a phrase that began in F minor but modulates to Bb minor (and which cadences to Bb major).
Chorale 070	11-13		Modulation from G major to D minor (from V to ii)
Chorale 073	3-4		All but G#/Ab used (though passage is not tonally ambiguous)

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IXa. 6/4 CHORDS (Other than the cadential 6/4): Passing I6/4

Chorale #	Measure	Voices	Description
Chorale 001	11		Passing I64
Chorale 008	1		Passing i64 (Progression: viio42-i64-iiø65)
Chorale 011	17,19		Passing i64
Chorale 013	16		Passing i64 (Progression: iv65-i64-iiø65)
Chorale 014	8		Passing I64 (Progression: IV6-I64-ii65)
Chorale 014	10		Passing I64 (Progression: ii-I64-V42)
Chorale 021	3		Passing i64
Chorale 025	11		Passing i64
Chorale 031	3,9		Passing i64
Chorale 040	7		Passing I64
Chorale 042	8		Passing I64
Chorale 045	6		Passing I64
Chorale 046	6		Passing I64
Chorale 049	3,9		Passing i64
Chorale 058	5		Passing I64
Chorale 059	1		Passing i64
Chorale 059	5		Passing I64
Chorale 063	3,15		Passing I64
Chorale 065	7		Passing I64
Chorale 066	11		Passing i64
Chorale 070	5		Passing I64
Chorale 073	4,10		Passing i64
Chorale 074	9		Passing I64

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IXb. 6/4/ CHORDS (Other than the cadential 6/4): Passing II6/4

Chorale #	Measure	Voices	Description
Chorale 011	17		Passing ii64
Chorale 035	5		Passing ii64

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IXc. 6/4 CHORDS (Other than the cadential 6/4): Passing III6/4

Chorale #	Measure	Voices	Description
Chorale 002	11		Passing iii64
Chorale 003	6		Passing III64
Chorale 015	6		Passing III64
Chorale 073	5		Passing III64

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IXd. 6/4 CHORDS (Other than the cadential 6/4): Passing IV6/4

Chorale #	Measure	Voices	Description
Chorale 010	12		Passing iv64
Chorale 015	3		Passing iv64 (between viio65 and V65)
Chorale 045	1		Passing iv64

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IXe. 6/4 CHORDS (Other than the cadential 6/4): Passing V6/4

Chorale #	Measure	Voices	Description
Chorale 008	15		Passing V64
Chorale 011	9		Passing V64 (if analyzed in a minor)
Chorale 071	1		Two passing V64 chords (i-V64-i6-V64-i)
Chorale 071	12		Passing V64

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IXf. 6/4 CHORDS (Other than the cadential 6/4): Passing VI6/4

Chorale #	Measure	Voices	Description
Chorale 036	2		Passing vi64

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IXg. 6/4 CHORDS (Other than the cadential 6/4): Passing VII6/4

Chorale #	Measure	Voices	Description
Chorale 007	9		Passing viio64
Chorale 020	1		Passing viio64 (with S. pedal)
Chorale 049	9		Passing VII64 (or is it a I64 in tonicized C major?)

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IXh. 6/4 CHORDS (Other than the cadential 6/4): Other 6/4 Chord Types

Chorale #	Measure	Voices	Description
Chorale 012	13		ii64 (minor ii in minor key) created by neighbor tone in B.
Chorale 035	7		V64 created by melodic B.
Chorale 039	1		I64 created by melodic B.
Chorale 041	6		I64 created by B. arpeggiation
Chorale 041	7		vi64 created by B. arpeggiation
Chorale 042	7		iii64 (apparent chord; created by p.t. in S. during a V6 chord)
Chorale 046	8		IV634 created by TB voice-crossing
Chorale 050	10		I64 created by neighbor tone in B.
Chorale 072	6		Pedal iI64 (V7-I64-V7)
Chorale 074	6		Apparent pedal IV64? (Or is it a 4-3 suspension combined with an accented n.t.?)

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Xa. CHORD STRUCTURE ISSUES: Incomplete seventh chord in inversion

Chorale #	Measure	Voices	Description
Chorale 008	1		Incomplete viio42 chord: missing third (doubled fifth); On the "and" of beat 3
Chorale 011	11		Incomplete iio43 chord w/ missing third (doubled fifth)
Chorale 052	8		Incomplete viio43/V with missing third (doubled fifth)

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Xb. CHORD STRUCTURE ISSUES: Implied root omitted

Chorale #	Measure	Voices	Description
Chorale 002	9		Beat 3: Implied I6 chord without a root
Chorale 010	2		#vio6 chord, which can be heard as a viio43/V chord w/o a root.
Chorale 018	2		Beat 1: Implied I6 chord without a root
Chorale 049	9		Beat 3: Implied V64 in C (or VII64 in d?)

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Xc. CHORD STRUCTURE ISSUES: Doubled SD4 when leading-tone appears in harmony

Chorale #	Measure	Voices	Description
Chorale 001	5,8,15	ST	viio6 chord
Chorale 002	6	TB	viio64 chord
Chorale 002	9	SA	viio6 chord
Chorale 002	11	ST	viio chord (above a pedal)
Chorale 003	5	ST	viio6 chord
Chorale 006	3,7	ST	viio6 chord
Chorale 007	32	AT	viiø7 chord
Chorale 008	11	ST	viio6 chord
Chorale 016	2	ST	viio6 chord
Chorale 018	1,10	TB	viio64 (passing chord)
Chorale 018	7	ST	viio6 chord
Chorale 024	a	AT	viio6 chord
Chorale 026	1	ST	viio6 chord
Chorale 029	9	ST	viio6 chord
Chorale 038	3	TB	viio64 chord
Chorale 045	5	ST	viio6 chord
Chorale 047	1	ST	viio6 chord
Chorale 067	5	ST	viio6 chord
Chorale 069	4	ST	viio6 chord
Chorale 072	7	ST	viio6 chord
Chorale 074	11	ST	viio6 chord

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Xd. CHORD STRUCTURE ISSUES: Doubled 4th (SD1) in cadential 6/4 harmony

Chorale #	Measure	Voices	Description
Chorale 070	8		Doubled fourth above the bass; Cadential 64 approached by V7/V

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XIa. APPLIED CHORDS: V(7)/V

Chorale #	Measure	Voices	Description
Chorale 002	1		V6/V
Chorale 002	2		V7/V
Chorale 004	10		V/V
Chorale 005	8		V7/V
Chorale 006	5		V65/V (preceded by viiø7/V)
Chorale 009	1		V42/V
Chorale 009	10		V65/V
Chorale 011	2		V6/V
Chorale 012	6		V65/V
Chorale 012	8		V65-7/V
Chorale 012	9		V6/V in a minor (new key); function a bit ambiguous
Chorale 012	12		V6/V
Chorale 013	2		V43/V
Chorale 016	10-11		V65/V (to start a phrase)
Chorale 018	2,4		V/V
Chorale 019	2		V65/V in minor (approached from viio7/V)
Chorale 020	2,5		V/V
Chorale 021	3		V65/V in minor
Chorale 023	10		V7/V
Chorale 025	10		V65/V (moving to V7/V before resolving)
Chorale 028	7		V43/V in minor, moves to minor v
Chorale 034	9		V65/V in major (viio7/V-V65/V-V)
Chorale 035	2		V65/V in major (used to modulate)
Chorale 035	6		V42/V (moves directly to V53)
Chorale 039	11		V42/V
Chorale 040	6		V43/V (moves to viio6/V before resolving)
Chorale 040	7		V65/V (moves to viio/vi); or is it a IV65/vi?
Chorale 043	4		V42/V (used to modulate)
Chorale 046	5		V/V (becomes V42/V before moving to V6) (used to modulate)
Chorale 047	6		V65/V (begins as viio7/V)
Chorale 048	10		V65/V in minor
Chorale 051	3		V65/V
Chorale 051	6		V7/V (used to modulate)
Chorale 052	11		V6/V (to V/V before resolving) (used to modulate)
Chorale 056	13		V65/v in minor (used to modulate to v)
Chorale 057	4		V65/V
Chorale 058	7-8		V7/V
Chorale 058	12,14		V65/V
Chorale 059	5		V65/V (preceded by viio7/V)
Chorale 059	10		V65/V
Chorale 060	11		V65/V
Chorale 063	9		V65/V (moves to iii6, a substitute of V with an e.t. in the S.)
Chorale 063	10		V65/V
Chorale 064	1		V/V
Chorale 065	5		V65/V
Chorale 068	4		V65/V
Chorale 070	7		V7/V; resolves deceptively (V7/V-iii (or V7/V-vi/V))
Chorale 070	19		V7/V
Chorale 075	3		V65/V

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XIb. APPLIED CHORDS: V(7)/II

Chorale #	Measure	Voices	Description
Chorale 012	9		V65/ii
Chorale 034	7-8		V/ii (becomes V7/ii) (used to modulate to ii)
Chorale 035	7		V42/ii
Chorale 044	5		V65/ii
Chorale 046	5		V42/ii (moves to V/V)
Chorale 047	10		V6/ii (becomes V6/iv in a modulation to vi)
Chorale 050	7		V65/ii (used to modulate)
Chorale 063	7		V6/ii
Chorale 069	10		V7/ii (Analyzed in G major)
Chorale 069	20		V65/ii (moves to r.p. before resolving)

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XIc. APPLIED CHORDS: V(7)/IV

Chorale #	Measure	Voices	Description
Chorale 001	13		V7/IV
Chorale 002	5		V7/IV
Chorale 005	7		V7/IV; two instances in same measure
Chorale 006	1		V7/IV
Chorale 007	13		V42/IV
Chorale 007	18		V7/IV
Chorale 008	1		V42/iv
Chorale 008	7		V/iv
Chorale 009	7		V65/iv
Chorale 010	9		V6/IV (becomes viio/IV with p.t.)
Chorale 011	1		V42/IV
Chorale 011	9		e: V64/iv on final beat (depends on labeling)
Chorale 011	27		V6/iv
Chorale 013	8		V65/iv
Chorale 015	11		V6/iv
Chorale 019	3		V6/iv
Chorale 019	8		V6/iv (introduced by chromatic p.t. in B: i6-V6/iv-iv)
Chorale 021	6		V65/IV
Chorale 024	9		V6/IV
Chorale 024	10		V65/IV (in new key of D)
Chorale 027	2		V7/IV
Chorale 028	4		V7/IV
Chorale 029	7		V42/IV moving to V64/IV before resolving to IV
Chorale 030	9		V6/IV
Chorale 034	4,12		V7/IV (moving deceptively to ii)
Chorale 036	9		V7/IV
Chorale 040	1		V7/IV
Chorale 045	11		V65>/iv
Chorale 046	3		V43/IV (resolves to IV on weak beat; creates a false modulation)
Chorale 051	9		V7/IV (Irregular resolution of temporary L.T.)
Chorale 052	13		V42/IV
Chorale 059	4		V42/IV
Chorale 063	1		V42/IV
Chorale 064	9		V7/IV (resolves deceptively to ii (or vi/IV))
Chorale 068	3		V42/IV
Chorale 068	7		V7/IV (resolves deceptively to ii (or vi/IV))
Chorale 070	1		V65/IV
Chorale 070	11		V42/IV
Chorale 071	4		V65/IV in G major (or is it V65/VI in e minor?)
Chorale 071	10		V6/IV
Chorale 074	6		V7/IV

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XId. APPLIED CHORDS: V(7)/VI

Chorale #	Measure	Voices	Description
Chorale 007	5		V6/vi to V7/vi before resolving to vi
Chorale 007	33		V6/vi
Chorale 009	2		V6/vi
Chorale 011	9		V65/vi
Chorale 012	5		V43/vi
Chorale 025	11		V6/vi (used to modulation to vi)
Chorale 026	4		V6/vi
Chorale 036	6		V65/vi (used to modulate to vi)
Chorale 039	5		V7/vi (used to modulate to vi)
Chorale 039	9		V43/VI (used to modulate to VI)
Chorale 039	11		V6/vi
Chorale 043	12		V65/VI (used to modulate eventually to III)
Chorale 050	6		V6/vi
Chorale 053	14		V6/vi (used to modulate to vi)
Chorale 056	13		V7/vi (used to modulate)
Chorale 056	13		V7/vi (moving deceptively to IV)
Chorale 057	6		V6/vi (used to modulate to vi)
Chorale 058	7		V65/vi (viio7/vi immediately preceding)
Chorale 063	6		V6/vi
Chorale 064	11		V65/VI
Chorale 067	10		V/vi (used to modulate at cadence)
Chorale 071	5		V65/vi

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XIe. APPLIED CHORDS: V(7)/III

Chorale #	Measure	Voices	Description
Chorale 010	4		V7/III
Chorale 013	9		V6/III
Chorale 023	7		V6/III
Chorale 025	5		V6/III (used to modulate to III)
Chorale 039	2		V/III (used to modulate to III)
Chorale 041	11		V65/III used to modulate to VI (functions also as V65/V in new key)
Chorale 049	9		V6/III
Chorale 055	3		V42/III
Chorale 062	3		V6/III (or is it a modulation?)
Chorale 062	6		V/III (used to modulate to III)
Chorale 071	3		V6-65/III
Chorale 072	3		V6/III (moves to r.p. before resolving)

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XIf. APPLIED CHORDS: V(7)/VII

Chorale #	Measure	Voices	Description
Chorale 012	1		V6/VII
Chorale 023	1,8		V6/VII
Chorale 037	5		V7/VII (used to modulate to VII)
Chorale 041	6		V6/VII (used to modulate)
Chorale 041	9		V43/VII (apparent chord created by two p.t.s) (moves to V)
Chorale 043	8		V42/VII (used to modulate)
Chorale 045	5		V6/VII (used to modulate)
Chorale 045	9		V6/VII (becomes V6/V in new key of III)
Chorale 045	12		V65/VII
Chorale 047	6		V7/VII (resolves irregularly to v6 w/ suspended resolution of temporary L.T.)
Chorale 055	7		V/VII (used to modulate)
Chorale 066	5		V/VII

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XIg. APPLIED CHORDS: viio/V

Chorale #	Measure	Voices	Description
Chorale 013	2		viio6/V (becoming V43/V before resolving into cadential 64)
Chorale 020	8		viio6/V (on the second sixteenth of beat 1)
Chorale 031	2		viio6/V in major
Chorale 034	5		viio/V in major (used to modulate to V)
Chorale 036	12		viio/V in major (used to modulate to V)
Chorale 037	4		viio64/V in minor (irregular resolution to V53)
Chorale 041	9		viio64/V in minor
Chorale 049	1		viio6/v in minor
Chorale 050	4		viio6/V in major
Chorale 052	1		viio6/V in major
Chorale 054	3		viio6/V in major (used to modulate)
Chorale 067	2		viio6/V in major (used to modulate)
Chorale 068	1		viio6/V in major
Chorale 068	4		viio6/V in major
Chorale 069	2		viio6/V in major
Chorale 069	13		viio/V in major
Chorale 070	9		viio6/V in major
Chorale 070	14		viio6/V in major (if not analyzed as a modulation)

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XIh. APPLIED CHORDS: viio/II

Chorale #	Measure	Voices	Description
Chorale 002	6		viio6/ii
Chorale 009	5		viio6/ii
Chorale 032	9		viio/ii (used to modulate)
Chorale 052	8		viio43/V (moves to V53)
Chorale 068	5		viio6/ii

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XIi. APPLIED CHORDS: viio/IV

Chorale #	Measure	Voices	Description
Chorale 018	11		viio6/IV
Chorale 071	3		viio6/iv

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XIj. APPLIED CHORDS: viio/VI

Chorale #	Measure	Voices	Description
Chorale 020	3		viio6/vi
Chorale 022	5		viio6/vi
Chorale 028	5		viio(6)/vi (w/ pedal in B. on SD1)
Chorale 040	7		viio/vi
Chorale 041	6		viio64/vi

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XIk. APPLIED CHORDS: viio/III

Chorale #	Measure	Voices	Description
Chorale 016	2		viio6/III

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XIl. APPLIED CHORDS: viio/VII

Chorale #	Measure	Voices	Description
Chorale 010	6		viio/VII
Chorale 028	3		viio6/VII (introduces a modulation to III)

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XIm. APPLIED CHORDS: viio7/V

When viiø⁷/V moves to V, an explanation is given as to how parallel fifths and doubled leading-tone are avoided (if they are).

Chorale #	Measure	Voices	Description
Chorale 003	10		viio7/V in minor key
Chorale 006	5		viiø7/V (moves to V65/V before resolving); Doubled leading-tone, but only if this chord is analyzed in F major; Passage eventually modulates to C major, in which case SD3 is doubled.
Chorale 009	5,7		viio7/V; both in minor keys (a: and e:)
Chorale 012	15		viio7/V in minor key
Chorale 019	2		viio7/V in minor key (moving to V65/V before resolving)
Chorale 019	6		viiø7/V; Doubled leading-tone
Chorale 019	8		viio7/V in minor key (missing fifth)
Chorale 021	3		viio7/V in minor key
Chorale 024	3		viio7/V in minor key
Chorale 026	7		viio7/V in minor key
Chorale 029	8		viiø43/V(-V53)
Chorale 030	3		viio7/V in minor key
Chorale 034	9		viio7/V in major key (key not quite established) (moves to V65/V before resolving)
Chorale 035	5		viiø65/V
Chorale 043	11		viio7/V in minor key
Chorale 043	14		viio7/V in major key
Chorale 044	6		viiø7/V; SD1 to SD5 in T., thus, tritone w/ B. not resolving normally (masked by voice-crossing)
Chorale 046	1		viiø7/V; Doubled leading-tone
Chorale 047	6		viio7/V in minor key (moves to V65/V before resolving)
Chorale 047	12		viio7/V in minor key
Chorale 049	10		viio7/v in minor key (moves to minor v)
Chorale 052	8		viio43/V in minor key (moves to V53)
Chorale 053	5		viio7/v in minor key (used to modulate to v)
Chorale 057	1		viio43/V in minor key
Chorale 058	13		viiø7/V; used to modulate, so doubled L.T. is really a doubled third in new I chord
Chorale 059	5		viio7/V in major key (moves to V65/V before resolving)
Chorale 063	8		viio65/V in minor key
Chorale 067	8		viiø43/V (moving directly to V53)
Chorale 067	12		viiø7/V; Doubled leading-tone
Chorale 073	4		viio7/V in minor key

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XIn. APPLIED CHORDS: viio7/II

Chorale #	Measure	Voices	Description
Chorale 031	9		viio7/ii (used to modulate to ii)
Chorale 067	5,11		viio65/ii

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XIo. APPLIED CHORDS: viio7/IV

Chorale #	Measure	Voices	Description
Chorale 003	9		viio7/iv
Chorale 016	5		viio7/iv
Chorale 021	1		viio7/iv
Chorale 034	7		viiø7/iv

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XIp. APPLIED CHORDS: viio7/VI

Chorale #	Measure	Voices	Description
Chorale 012	13		viio7/VI (becomes diatonic viio7 in new key)
Chorale 019	6		viio7/vi
Chorale 024	3		viio7/vi
Chorale 030	11		viio42/vi (w/ a B. pedal)
Chorale 043	11		viio42/vi (used to modulate; moves to V/vi)
Chorale 045	10		viio7/vi (used to modulate to vi (III back to i))
Chorale 058	7		viio7/vi (becomes V65/vi before resolving)
Chorale 058	13		viio7/vi
Chorale 059	10		viio7/vi (used to modulate)
Chorale 068	6		viio43/vi (moves directly to vi53)

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XIq. APPLIED CHORDS: viio7/III

Chorale #	Measure	Voices	Description
Chorale 053	10		viiø7/III (seemingly a diatonic iiø7 initially; used to modulate to III)
Chorale 058	2		viio43/iii (moves directly to iii53)
Chorale 059	7		viio7/iii (or is it vii7/v in G minor?)

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XIr. APPLIED CHORDS: viio7/VII

Chorale #	Measure	Voices	Description
			None found yet.

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XIs. APPLIED CHORDS: Applied dominants/seventh chords with irregular resolutions

Chorale #	Measure	Voices	Description
Chorale 009	2-3		Irregular resolution of applied chord: V6/vi-IV6
Chorale 010	6		Irregular resolution of applied chord: V6/III in minor (VII6 chord) moving to a i chord
Chorale 028	5		Irregular resolution of applied chord: viio(6)/vi-IV as a deceptive progression in the key area of vi
Chorale 029	8		Irregular resolution of applied chord: viiø43/V (going to V53; tritone involving the B. not resolving properly)
Chorale 034	7,13		Irregular resolution of applied chord: V7/IV-ii (or vi/IV) deceptive resolution
Chorale 035	6		Irregular resolution of applied chord: V42/V to V53
Chorale 037	4		Irregular resolution of applied chord: viio64/V-V53
Chorale 047	6-7		Irregular resolution of applied chord: V7/VII to v6 (with a suspended resolution of the temporary L.T.)
Chorale 056	13		Irregular resolution of applied chord: V7/vi-iv (or vi/vi) deceptive resolution
Chorale 058	2-3		Irregular resolution of applied chord: viio43/iii-iii53
Chorale 063	9		Irregular resolution of applied chord: V65/V-iii6 (iii6 functioning as a substitute for V, with an e.t. in the melody)
Chorale 064	1-2		Irregular resolution of applied chord: V/V-I6 (functioning as a deceptive V-IV6 progression in the key area of V)
Chorale 064	9		Irregular resolution of applied chord: V7/IV-ii (or vi/IV) deceptive resolution
Chorale 068	7-8		Irregular resolution of applied chord: V7/IV-ii (or vi/IV) deceptive resolution
Chorale 070	7		Irregular resolution of applied chord: V7/V-iii (or vi/V) deceptive resolution
Chorale 074	6-7		Irregular resolution of applied chord: V7/IV-ii6 (or vi6/IV) (Deception weakened by 7-6 suspension in A. (Or is it a V7/IV-IV7-ii6 progression?))

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XIt. APPLIED CHORDS: Other chords applied (i.e. ii/VI)

Not included in this list are deceptive resolutions of secondary chords to submediant harmonies in tonicized key areas (vi/x). These are listed in the comments section of Table XIs (just above).

Chorale #	Measure	Voices	Description
Chorale 011	2		IV functioning as V/bVII
Chorale 011	5		V42/bVII eventually used to modulate
Chorale 016	15		IV/IV (A: G major chord to D major chord)
Chorale 018	2		In vi65-V/V-V progression, vi65 behaves as a ii65/V
Chorale 020	2		#vio6/vi-viio6/vi-vi
Chorale 040	7		IV65/vi (progression: IV65/vi-viio/vi-vi)
Chorale 046	7		ii6/IV (used to modulate to IV) (Progression: ii65-ii6/IV-V42/IV-IV6)
Chorale 049	1		IV42/v (seemingly a V42/iv)
Chorale 060	3		IV42/vi (moves to viio6/vi before going to vi)
Chorale 061	2		IV/IV
Chorale 066	11		Second half of beat 3: V+/VI in D minor (with a p.t. in the S.)?? (Or is it a V7/vi (with a bass pedal) that resolves deceptively to IV in F major? Or is it a V7 (with a bass pedal) of D minor, with a deceptive resolution to VI that is reinforced with a pseudo V-I bass motion?)
Chorale 071	3		IV42/iv (moves to viio6/iv before resolving)

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XIu. APPLIED CHORDS: V7/V or viio7/V leading into a Cadential 6/4

Chorale #	Measure	Voices	Description
Chorale 013	2		V7/V resolving into a cadential 64 chord
Chorale 070	8		V43/V resolving into a cadential 64 chord

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XIIa. OTHER CHROMATIC HARMONY: Neapolitan 6th chord

Chorale #	Measure	Voices	Description
			None found yet.

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XIIb. OTHER CHROMATIC HARMONY: Neapolitan chord in root position or 2nd inversion

Chorale #	Measure	Voices	Description
Chorale 003	7		Apparent Neapolitan in root position, used as pivot chord

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XIIc. OTHER CHROMATIC HARMONY: Italian augmented-sixth

Chorale #	Measure	Voices	Description
Chorale 019	1		Italian +6

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XIId. OTHER CHROMATIC HARMONY: French augmented-sixth

Chorale #	Measure	Voices	Description
			None found yet.

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XIIe. OTHER CHROMATIC HARMONY: German augmented-sixth

Chorale #	Measure	Voices	Description
			None found yet.

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XIIf. OTHER CHROMATIC HARMONY: Minor v in minor key

Chorale #	Measure	Voices	Description
Chorale 008	13		v in minor key
Chorale 016	1		v6 in minor key
Chorale 028	1		v in minor key (prevents what would be an unresolving L.T. in melody; compare w/ Chorale #19, m.1)
Chorale 028	7		v in minor key
Chorale 030	1		v in minor key
Chorale 041	1,12		v in minor key
Chorale 047	3,4		v6 and v(53) in minor key
Chorale 049	11		v in minor key

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XIIg. OTHER CHROMATIC HARMONY: Minor v in major key

Chorale #	Measure	Voices	Description
Chorale 002	2		Minor v in major key
Chorale 007	32		Minor v in major key (faked modulation to IV!)
Chorale 070	1		Minor v in major key

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XIIh. OTHER CHROMATIC HARMONY: Major IV in minor key

Chorale #	Measure	Voices	Description
Chorale 015	7		Major IV65 in minor (used as a pivot into new key)
Chorale 017	1		Major IV in minor key
Chorale 019	3,8		Major IV in minor key
Chorale 037	2		Major IV6 in minor key
Chorale 045	4		Major IV65 in minor key
Chorale 045	8		Major IV65 in minor key
Chorale 047	5		Major IV42 in minor key
Chorale 048	3		Major IV65 in minor key
Chorale 049	7		Major IV65 in minor key
Chorale 055	9		Major IV6 in minor key
Chorale 056	1		Major IV6 in minor key
Chorale 057	7		Major IV6 in minor key
Chorale 058	17		Major IV6 in minor key
Chorale 071	12		Major IV6 in minor key

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XIIi. OTHER CHROMATIC HARMONY: Minor iv in major key

Chorale #	Measure	Voices	Description
Chorale 059	5		Minor iv6 in major key

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XIIj. OTHER CHROMATIC HARMONY: Flat-VI in major key

Chorale #	Measure	Voices	Description
Chorale 061	11-12		Use of mode-mixture allows for a smoother transition between ii and V key areas (f to Bb), stopping first at v; involves chords bVI, iiø43, and minor i64 (if analyzed in Bb major, the key area of V)

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XIIk. OTHER CHROMATIC HARMONY: viio7 (fully-diminished) in major key

Chorale #	Measure	Voices	Description
			None found yet.

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XIIl. OTHER CHROMATIC HARMONY: III+ in minor key

Chorale #	Measure	Voices	Description
Chorale 011	18		III+6 chord
Chorale 026	7		III+ chord (in new key of g minor)
Chorale 037	1		III+6 (apparent chord)
Chorale 049	7		III+ (apparent chord)
Chorale 049	11		III+ (apparent chord created by S. appoggiatura in V chord)
Chorale 056	9		III+6 (w/ pedal NCT in A.; used to introduce L.T. to foreshadow new key in this ambiguous passage)
Chorale 070	8		III+6 (apparent chord) (created by cadential 64 with 3-4-3 figures in S./A.)
Chorale 073	6		III+6 (apparent chord) (created by decorated cadential 64 containing a 3-4-3 figure in A. (with an intervening iv7 chord))

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XIIm. OTHER CHROMATIC HARMONY: #vio in minor key

Chorale #	Measure	Voices	Description
Chorale 010	2		#vio6 (moving to V; as a viio43/V chord without a root)
Chorale 013	5		#vio64 chord in a minor
Chorale 020	2		Applied #vio6 chord! (#vio6/vi-viio6/vi-vi)
Chorale 028	7		#vio7! (passing chord, second half of beat 4) (Creates brief expectation that A major will be tonicized, rather than b minor.)
Chorale 037	1		#vio7 (apparent chord)
Chorale 045	4		#vio6 (created by p.t. in A.)
Chorale 053	6		#viø65
Chorale 057	1		#viø65 (becomes viio43/V)
Chorale 060	3		#vio64

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XIIn. OTHER CHROMATIC HARMONY: Other chromatically-altered chords (i.e. iiø7 half-diminished in major key)

Chorale #	Measure	Voices	Description
Chorale 006	7		Chromatically altered chord: iiø7 in major key
Chorale 010	2		Chromatically altered chord: ii7 (minor-minor seventh) in minor key (passing sonority)
Chorale 010	12		Chromatically altered chord: minor vii chord in minor key (natural SD7, flat SD2)
Chorale 012	13		Chromatically altered chord: Minor ii64 in a minor
Chorale 049	1		minor ii in minor key (created by Dorian mode)
Chorale 061	11-12		Use of mode-mixture allows for a smoother transition between ii and V key areas (f to Bb), stopping first at v; involves chords bVI, iiø43, and minor i64 (if analyzed in Bb major, the key area of V)

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XIIIa. NON-CHORD TONES: Appoggiatura

Chorale #	Measure	Voices	Description
Chorale 043	7	ST
Chorale 043	11	S	On beat 2
Chorale 062	16	A	unaccented appoggiatura (combined with e.t. to create a neighbor group)
Chorale 063	3	SA	Double appoggiaturas

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XIIIb. NON-CHORD TONES: Escape tone

Chorale #	Measure	Voices	Description
Chorale 009	11	S
Chorale 021	7	T
Chorale 025	7	S
Chorale 032	3	S
Chorale 035	8	S,T
Chorale 040	3	S
Chorale 057	7	S
Chorale 061	16	A	Combined with appoggiatura to create a neighbor group
Chorale 065	3,9	S
Chorale 071	2	A
Chorale 071	6	SA	Escape tones? ...or chord tones in a fleeting ii6 chord?

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XIIIc. NON-CHORD TONES: Accented passing tone

Chorale #	Measure	Voices	Description
Chorale 001	3	B
Chorale 003	3	B
Chorale 004	1	T
Chorale 005	5	B
Chorale 005	16	S
Chorale 008	19	A
Chorale 011	2,9,29	B
Chorale 013	7	T
Chorale 013	8,14	B
Chorale 013	11	A
Chorale 014	4,13	B
Chorale 015	3,10	S
Chorale 018	3	T
Chorale 019	5	B	Creates 2-3 B. suspension w/o a preparation
Chorale 020	6	B
Chorale 022	11	B	Two instances; combined with unaccented p.t.s in T. for wonderful effect!
Chorale 023	8	A
Chorale 023	19	B
Chorale 024	6	B
Chorale 025	9	B
Chorale 025	10	A	To hide apparent parallel fifths w/ B.
Chorale 026	3	B
Chorale 027	7	B
Chorale 028	1	T
Chorale 028	5	B
Chorale 029	7	B
Chorale 030	1	T
Chorale 032	9	B	Into a viio/ii chord
Chorale 033	2	S
Chorale 033	5	B
Chorale 035	3	B
Chorale 035	7	B	2 instances
Chorale 036	6	B	Into a V65/V chord
Chorale 036	13	B
Chorale 037	6	B	Or is it really a vi42 chord?
Chorale 039	5	B
Chorale 041	6	B
Chorale 043	4	B
Chorale 044	5	B	Into a V65/ii chord
Chorale 046	4	B
Chorale 048	9	SB	Two instances in same measure, one in B., one in S.
Chorale 050	1	TB	creates an apparent iii7 chord
Chorale 053	1,5	B
Chorale 054	9	SB
Chorale 055	4	B
Chorale 058	1	A
Chorale 058	9	B
Chorale 059	1	T
Chorale 061	9	B
Chorale 063	1	B
Chorale 063	11	B	Accented p.t. (Or is it really a ii64?)
Chorale 064	3,7,11	B
Chorale 066	5	AB	One in each voice
Chorale 067	5	A
Chorale 070	1,15	T
Chorale 070	2	B
Chorale 071	7	B
Chorale 073	1,9	B	Two instances in m.9

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XIIId. NON-CHORD TONES: Accented passing tone used to prevent parallelism

Chorale #	Measure	Voices	Description
Chorale 001	3	B	Accented p.t. prevents parallel octaves w/ T.
Chorale 025	10	A	Accented p.t. prevents parallel fifths w/ B.

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XIIIe. NON-CHORD TONES: Pedal point

Chorale #	Measure	Voices	Description
Chorale 002	11	B	Mini pedal, beat 4
Chorale 023	2	B
Chorale 030	11	B	Mini pedal (under a vio/vi chord)
Chorale 049	12	B	iv-I over pedal at end of chorale
Chorale 052	13	B	Mini-pedal
Chorale 070	7	S	In soprano
Chorale 071	1	B

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XIIIf. NON-CHORD TONES: Anticipation

Chorale #	Measure	Voices	Description
Chorale 008	2,4,6,16	S	Anticipations at cadences (causes non-structural parallel fifths)
Chorale 009	7	A	Mid-phrase (or is it better described as suspended n.t.?)
Chorale 019	2-3	B	Mid-phrase (or is it a dissonant preparation for a 2-3 B. suspension?)
Chorale 022	7	S	Mid-phrase
Chorale 024	10	S	At cadence
Chorale 025	8	ST	Anticipations in both S. and T. at cadence
Chorale 032	11	S	At cadence
Chorale 037	2	S	Mid-phrase
Chorale 048	4	S	At cadence (creates parallel fifths w/ T. motion from SD5 to SD4)
Chorale 057	7	T	Mid-phrase
Chorale 059	10	S	Mid-phrase
Chorale 060	1,5,9	S	At cadences
Chorale 061	5	B	Mid-phrase
Chorale 062	7	S	At cadence
Chorale 066	2	S	At cadence
Chorale 071	2	S	Mid-phrase
Chorale 071	7	S	Mid-phrase (prevents parallel fifths w/ T.)
Chorale 071	8	T	At cadence

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XIVa. SUSPENSIONS: 4-3 suspension

Chorale #	Measure	Voices	Description
Chorale 001	12	A	4-3 suspension
Chorale 004	2	A	4-3 suspension
Chorale 004	4	T	4-3 suspension
Chorale 005	2,3,14,17	A	4-3 suspension
Chorale 005	6	T	4-3 suspension
Chorale 006	3	A	4-3 suspension
Chorale 007	28	A	4-3 suspension
Chorale 008	14	T	4-3 suspension (w/ change of bass)
Chorale 008	16	A	Decorated 4-3 suspension
Chorale 009	2	S	4-3 suspension (w/ change of bass)
Chorale 009	4,6	A	4-3 suspension
Chorale 011	12	T	4-3 suspension
Chorale 012	10	A	4-3 suspension (resolution chromatically altered; delayed resolution creates ambiguous tonality) w/ change of bass and change of chord at resolution
Chorale 014	4,13	A	4-3 suspension
Chorale 015	3,4,9	A	4-3 suspension
Chorale 015	12	T	4-3 suspension (decorated at the end of the chorale!)
Chorale 018	8	A	4-3 suspension
Chorale 019	7	A	4-3 suspension
Chorale 019	9	T	4-3 suspension to end chorale; resolves to a picardy third
Chorale 020	4	A	4-3 suspension
Chorale 022	2,5,14	A	4-3 suspension
Chorale 022	10	T	4-3 suspension
Chorale 024	7	A	4-3 suspension
Chorale 026	8,10	A	4-3 suspension
Chorale 027	2	T	4-3 suspension
Chorale 027	4,10	T	4-3 suspension; decorated resolution
Chorale 027	8	A	4-3 suspension
Chorale 028	8	A	4-3 suspension
Chorale 029	1,4	T	4-3 suspension
Chorale 029	6,7,13	A	4-3 suspension
Chorale 030	3,6,8	A	4-3 suspension
Chorale 033	2,6,8	T	4-3 suspension
Chorale 034	4,8,10,12	A	4-3 suspension (m.8 suspension at end of HC)
Chorale 035	2	A	4-3 suspension
Chorale 035	4	T	4-3 suspension
Chorale 036	2	T	4-3 suspension
Chorale 036	14	A	4-3 suspension
Chorale 037	2	A	4-3 suspension
Chorale 039	8	T	4-3 suspension
Chorale 040	8	A	4-3 suspension
Chorale 041	3,4	S	4-3 suspension
Chorale 041	14	T	4-3 suspension (unprepared)
Chorale 043	2	A	4-3 suspension
Chorale 043	5,9,11	S	4-3 suspension
Chorale 044	7	A	4-3 suspension (w/ change of harmony caused by moving S.)
Chorale 046	8	A	4-3 suspension
Chorale 048	6,8,10	A	4-3 suspension (Occurs at I chords in three PACs)
Chorale 049	11,12	S	4-3 suspension (S. below A. here)
Chorale 052	14	A	4-3 suspension
Chorale 054	7	A	4-3 suspension (w/ change of B. and harmony (resolution decorated w/ incomplete lower neighbor))
Chorale 055	5	T	4-3 suspension
Chorale 055	10	A	4-3 suspension
Chorale 056	14	T	4-3 suspension
Chorale 058	6	T	4-3 suspension
Chorale 058	19	S	4-3 suspension
Chorale 159	6	A	4-3 suspension
Chorale 060	4	T	4-3 suspension
Chorale 060	11	S	4-3 suspension
Chorale 061	4	A	4-3 suspension
Chorale 063	4	T	4-3 suspension
Chorale 064	1,2	A	4-3 suspension
Chorale 064	4	T	4-3 suspension
Chorale 064	13	T	4-3 suspension (with decorated resolution)
Chorale 065	10	A	4-3 suspension
Chorale 066	4	A	4-3 suspension
Chorale 066	6	S	4-3 suspension
Chorale 067	13	A	4-3 suspension
Chorale 068	8,9	A	4-3 suspension
Chorale 069	17	A	4-3 suspension
Chorale 069	22	A	4-3 suspension (decorated with lower appoggiatura)
Chorale 070	3	A	4-3 suspension (decorated resolution)
Chorale 070	13,17	A	4-3 suspension
Chorale 070	19	T	mini 4-3 suspension (created by a delayed arrival in a voice-exchange with S.)
Chorale 071	8,12	A	4-3 suspension
Chorale 072	6	A	4-3 suspension
Chorale 073	6	A	4-3 suspension
Chorale 074	3	T	4-3 suspension
Chorale 074	11	A	4-3 suspension
Chorale 075	3	A	4-3 suspension
Chorale 075	3	T	4-3 suspension
Chorale 075	4	S	4-3 suspension
Chorale 075	10	T	4-3 suspension (with change of Bass)

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XIVb. SUSPENSIONS: 7-6 suspension

Chorale #	Measure	Voices	Description
Chorale 001	12	A	7-6 suspension
Chorale 005	5	A	7-6 suspension
Chorale 006	7	A	7-6 suspension
Chorale 009	5	A	7-6 suspension
Chorale 009	11	T	7-6 suspension (iii6 chord)
Chorale 013	2	A	7-6 suspension into a viio6/V (or is it a vi7-viio6/V progression?)
Chorale 013	9	A	7-6 suspension (rearticulated)
Chorale 018	11	T	7-6 suspension (into a viio6/IV chord)
Chorale 019	1	A	7-6 suspension (into an Italian +6 chord)
Chorale 019	7	T	7-6 suspension
Chorale 021	9	A	7-6 suspension
Chorale 022	13	A	7-6 suspension
Chorale 023	5	A	7-6 suspension
Chorale 023	5	T	7-6 suspension (used to prevent parallel fifths w/ S.)
Chorale 023	10	A	7-6 suspension (w/ change of B.)
Chorale 026	3	A	7-6 suspension (w/ change of B. and harmony)
Chorale 026	4	A	7-6 suspension (or is it a ii7 (with missing fifth) moving to a viio6?
Chorale 027	1	T	7-6 suspension
Chorale 029	2	A	7-6 suspension (or is it simply a vi7-V progression, with an incomplete vi7 chord?)
Chorale 030	5	A	7-6 suspension
Chorale 033	5	T	7-6 suspension (prevents parallel fifths w/ A.)
Chorale 035	5	T	7-6 suspension (into a viiø65/V chord)
Chorale 036	12	S	7-6 suspension (w/ change of B. and harmony (and key) at resolution)
Chorale 037	3	A	7-6 suspension (prevents parallel fifths w/ S.)
Chorale 040	3	A	7-6 suspension
Chorale 041	12	T	7-6 suspension (combined w/ simultaneous 9-8 sus. in A.) (used to prevent parallel fifths w/ S.)
Chorale 047	7	T	7-6 suspension (two instances, as a chain of suspensions; first suspension prevents parallel fifths w/ A.)
Chorale 050	10	A	7-6 suspension (or is it a ii7(w/ missing fifth) to V43 progression?)
Chorale 052	1	A	7-6 suspension
Chorale 052	5	T	7-6 suspension
Chorale 055	6	A	7-6 suspension (or is it a ii7(w/ missing fifth) to viio6 progression?)
Chorale 057	7	T	7-6 suspension
Chorale 058	7	A	7-6 suspension
Chorale 058	16	A	7-6 suspension (used to prevent parallel fifths)
Chorale 059	8	A	7-6 suspension? (acts as V7 without fifth, moving to a iii6)
Chorale 061	1	A	7-6 suspension (part of a suspension chain)
Chorale 061	2	T	7-6 suspension
Chorale 061	3	A	7-6 suspension
Chorale 062	8	A	7-6 suspension
Chorale 064	9	T	7-6 suspension
Chorale 066	11	A	7-6 suspension (decorated resolution, with a change of bass and harmony); change of harmony at resolution creates tonal ambiguity
Chorale 067	2	A	7-6 suspension (Or is it a ii7/V-viio6/V-V?)
Chorale 067	9	A	7-6 suspension (Or is it a ii7-viio6 progression?)
Chorale 068	4	T	7-6 suspension
Chorale 070	10	A	7-6 suspension (Or is it a ii7-viio6 progression?)
Chorale 070	12	A	7-6 suspension (with a change of bass and harmony)
Chorale 073	7	A	7-6 suspension (Or is it a iiø7-viio65 progression?)
Chorale 074	5	A	7-6 suspension (prevents parallel fifths with S.)
Chorale 074	7	A	7-6 suspension

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XIVc. SUSPENSIONS: 9-8 suspension

Chorale #	Measure	Voices	Description
Chorale 001	15,17	A	9-8 suspension
Chorale 005	6	T	9-8 suspension (2-1)
Chorale 005	10	A	9-8 suspension (decorated)
Chorale 005	14	A	9-8 suspension
Chorale 006	5	T	9-8 suspension (with change of B.)
Chorale 009	9	A	9-8 suspension (with change of bass)
Chorale 009	11	T	9-8 suspension (IV chord)
Chorale 012	15	A	9-8 suspension (Resolution chromatically altered! w/ change of bass (that is also chromatically altered!)); progression: VI-viio7/V
Chorale 013	4	T	9-8 suspension (2-1)
Chorale 015	2	A	9-8 suspension w/ change of bass and harmony
Chorale 015	3	A	9-8 suspension w/ change of bass
Chorale 015	8	T	9-8 suspension (2-1) w/ change of bass and harmony
Chorale 016	14	T	9-8 suspension (moving alto complicates harmony)
Chorale 018	8	A	9-8 suspension
Chorale 020	2	T	9-8 suspension
Chorale 025	3	A	9-8 suspension
Chorale 026	5	A	9-8 suspension (with change of B.)
Chorale 027	8	A	9-8 suspension
Chorale 027	9	T	9-8 suspension (2-1)
Chorale 030	11	A	9-8 suspension (with change of B.)
Chorale 032	6	T	9-8 suspension (rearticulated; w/ change of B.)
Chorale 032	9	A	9-8 suspension (with change of B.)
Chorale 034	3,4,8,13	A	9-8 suspension
Chorale 035	2	A	9-8 suspension
Chorale 039	9,11	A	9-8 suspension (with change of B. and harmony)
Chorale 041	12	A	9-8 suspension (combined w/ simultaneous 7-6 sus. in T.)
Chorale 043	2	A	9-8 suspension (embellished resolution)
Chorale 043	10	A	9-8 suspension (with change of B. and harmony)
Chorale 043	14	A	9-8 suspension
Chorale 044	7	A	9-8 suspension
Chorale 045	8	T	9-8 suspension
Chorale 045	10	T	9-8 suspension (rearticulated; used to prevent unequal fifths w/ A.)
Chorale 045	11	T	9-8 suspension (with change of B.)
Chorale 046	7	T	9-8 suspension (2-1; w/ change of harmony)
Chorale 048	3	A	9-8 suspension
Chorale 049	9	A	9-8 suspension (with change of harmony)
Chorale 052	3	T	9-8 suspension (2-1; with change of B.)
Chorale 052	8	A	9-8 suspension (embellished resolution)
Chorale 052	12	T	9-8 suspension (prevents parallel fifths w/ S.)
Chorale 054	7	A	9-8 suspension
Chorale 056	2	A	9-8 suspension (with change of B.; S. leaps down to join A at resolution)
Chorale 058	2	T	9-8 suspension (with change of B.)
Chorale 058	18	A	9-8 suspension (with change of B.)
Chorale 059	8	A	9-8 suspension
Chorale 061	1	A	9-8 suspension (part of a suspension chain)
Chorale 062	4	A	9-8 suspension
Chorale 064	4	A	9-8 suspension
Chorale 064	9	T	9-8 suspension (presents a harsh unequal fifth with A.)
Chorale 068	2,4,6	A	9-8 suspension
Chorale 068	8	A	9-8 suspension (with a change of harmony at resolution (vi-IV6))
Chorale 069	10	A	9-8 suspension
Chorale 069	20	T	9-8 suspension (2-1)
Chorale 069	23	T	9-8 suspension (2-1) (with change of B. and harmony)
Chorale 071	9	A	9-8 suspension
Chorale 074	3	T	9-8 suspension (with change of B.)
Chorale 075	2	A	9-8 suspension

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XIVd. SUSPENSIONS: 2-3 bass suspension

Chorale #	Measure	Voices	Description
Chorale 001	19	B
Chorale 019	5	B	2-3 B. suspension
Chorale 030	1	B	2-3 B. suspension (into a minor v chord in minor key)
Chorale 030	5	B	2-3 B. suspension (rearticulated)
Chorale 052	10	B	2-3 B. suspension
Chorale 061	9	B	2-3 B. suspension
Chorale 075	2,6	B	2-3 B. suspension

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XIVe. SUSPENSIONS: Chain of suspensions

Chorale #	Measure	Voices	Description
Chorale 005	6	T	Chain of two suspensions
Chorale 005	14	A	Chain of two suspensions
Chorale 009	11	T	Chain of two suspensions (9-8, 7-6)
Chorale 018	8	A	Chain of two suspensions (9-8, 4-3)
Chorale 027	8	A	Chain of two suspensions (9-8, 4-3)
Chorale 030	5-6	A	Chain of three suspensions (7-6, “5-4”, 4-3) (The “5-4” suspension is a pseudo 9-8 suspension moving into a cadential 64.)
Chorale 030	11	A	Three suspension figures in a row, although the two outer ones are sevenths of seventh chords resolving in a suspension-like manner (progression: IV65-V65-i7-6-iiø65-V)
Chorale 034	3-4	A	Chain of three suspensions (9-8, 4-3, 9-8)
Chorale 034	8	A	Chain of two suspensions (9-8, 4-3)
Chorale 034	12-13	A	Chain of two suspensions (4-3, 9-8)
Chorale 035	2	A	Chain of two suspensions (9-8, 4-3)
Chorale 043	2	A	Chain of two suspensions 4-3, 9-8)
Chorale 047	7	T	Chain of two suspensions (7-6, 7-6)
Chorale 054	7	A	Chain of two suspensions (9-8, 4-3; the latter w/ change of B. and harmony)
Chorale 059	8	A	Chain of two suspensions (9-8, 7-6?) (Second is ambiguous: Is it a V7 moving to a iii6 chord?)
Chorale 061	1	A	Chain of two suspensions (9-8, 7-6)
Chorale 064	4	T	Chain of two suspensions (9-8, 4-3)
Chorale 064	9	T	Chain of two suspensions (9-8, 7-6)
Chorale 075	3	A	Chain of two suspensions (9-8, 4-3) (Imitated by 4-3 in T.)

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XIVf. SUSPENSIONS: Suspensions with a “change of bass”

Chorale #	Measure	Voices	Description
Chorale 001	14	AB	9-8 in A.
Chorale 006	5	T	9-8 in T.
Chorale 008	14	TB	4-3 in T.
Chorale 009	2	SB	4-3 in S.
Chorale 009	9	AB	9-8 in A.
Chorale 012	10	AB	4-3 in A.
Chorale 012	15	AB	9-8 in A. (Both sus. resolution and bass change are chromatically altered!)
Chorale 015	2,3	AB	9-8 in A.
Chorale 015	8	TB	9-8 (2-1) in A.
Chorale 023	10	AB	7-6 in A.
Chorale 026	3	AB	7-6 in A.
Chorale 026	5	AB	9-8 in A.
Chorale 030	11	A	9-8 in A.
Chorale 036	12	S	7-6 in S. (w/ change of harmony (and key))
Chorale 039	9,11	A	9-8 in A. (w/ change of harmony)
Chorale 043	2,10	A	9-8 in A. (w/ change of harmony)
Chorale 045	11	A	9-8 in A.
Chorale 052	3	T	9-8 (2-1) in T.
Chorale 054	7	A	9-8 in A. (w/ change of harmony)
Chorale 056	2	A	9-8 in A.
Chorale 058	2	T	9-8 in T.
Chorale 058	18	A	9-8 in A.
Chorale 063	4	T	4-3 in T. (w/ change of harmony)
Chorale 066	11	A	7-6 in A. (w/ change of harmony)
Chorale 069	23	23	9-8 (2-1) in T.
Chorale 070	12	A	7-6 in A. (w/ change of harmony)
Chorale 074	3	T	9-8 in T.
Chorale 075	10	T	4-3 in T.

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XIVg. SUSPENSIONS: Suspension with a change of harmony at resolution

Chorale #	Measure	Voices	Description
Chorale 012	15	A	Chromatically altered; progression: progression: VI-viio7/V
Chorale 015	2	A	9-8 in A.
Chorale 015	8	T	9-8 (2-1) in T.
Chorale 026	3	A	7-6 in A.
Chorale 036	12	S	7-6 in S. (w/ change of key)
Chorale 039	9,11	A	9-8 in A.
Chorale 043	2,10	A	9-8 in A. (w/ change of B.)
Chorale 044	7	A	9-8 in A.
Chorale 046	7	T	9-8 (2-1) in T.
Chorale 049	9	A	9-8 in A.
Chorale 050	10	A	7-6 in A. (or is it simply a ii7 (w/ missing fifth) moving to V43?)
Chorale 054	7	A	9-8 in A. (w/ change of B.)
Chorale 063	4	T	4-3 in T. (w/ change of B.) (...and change of key!)
Chorale 066	11	A	7-6 in A. (w/ change of B.)
Chorale 068	8	A	9-8 in A.
Chorale 069	23	T	9-8 (2-1) in T. (w/ change of B.)
Chorale 070	12	A	7-6 in A. (w/ change of B.)

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XIVh. SUSPENSIONS: 3-4-3 figure: delayed 4-3 suspension (usually found at cadences/cadential 6/4)

Chorale #	Measure	Voices	Description
Chorale 003	4	T	Delayed 4-3 suspension at cadential 64
Chorale 005	12	T	Used to prevent d5 to P5 in A./T.
Chorale 010	10	T	3-4-3 figure at cadential 64; prevents an unprepared 4th in cadential 64
Chorale 015	11	A	3-4-3 figure at cadential 64
Chorale 073	2	T	3-4-3 figure at cadential 64
Chorale 073	6	A	3-4-3 figure at cadential 64

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XIVi. SUSPENSIONS: Suspension used to prevent parallelism

Chorale #	Measure	Voices	Description
Chorale 005	5	A	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 013	9	A	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 019	7	T	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 023	5	T	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 033	5	T	7-6 suspension used to prevent parallel fifths w/ A.
Chorale 037	3	A	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 041	12	T	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 045	10	T	9-8 suspension used to prevent unequal fifths w/ A.
Chorale 047	7	T	7-6 suspension used to prevent parallel fifths w/ A.
Chorale 052	12	A	9-8 suspension used to prevent parallel fifths w/ S.
Chorale 057	7	T	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 058	16	A	7-6 suspension used to prevent parallel fifths w/ S.
Chorale 074	5	A	9-8 suspension used to prevent parallel fifths w/ S.

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XIVj. SUSPENSIONS: Other suspension types (i.e. “5-4” suspension into a cadential 64)

Chorale #	Measure	Voices	Description
Chorale 015	10	A	"5-4" suspension into a 64 chord; change of B. creates 7-6 suspension
Chorale 030	6	A	"5-4" suspension into a cadential 64
Chorale 070	19	S	"6-5" suspension? A delayed resolution of the seventh in a viiø7-I progression.

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XVa. SEQUENCES: Descending fifths (descending circle of fifths)

Chorale #	Measure	Voices	Description
Chorale 008	7-9		V/iv-iv-VII-III-VI
Chorale 039	3		iv7-ii7-V7-I

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XVb. SEQUENCES: Ascending fifths (ascending circle of fifths)

Chorale #	Measure	Voices	Description
			None found yet.

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XVc. SEQUENCES: “Ascending 5-6” technique (i.e. I - vi - ii - viio, etc.)

Chorale #	Measure	Voices	Description
Chorale 008	17-19		Root pos. version of 5-6 technique: IV-ii-V-iii-vi

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XVd. SEQUENCES: “Falling 3rds” (or descending 5-6) (i.e. I - V6 - vi - iii6, etc.)

Chorale #	Measure	Voices	Description
			None found yet.

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XVe. SEQUENCES: Other sequences

Chorale #	Measure	Voices	Description
Chorale 013	10-12		Sequence: key areas a, G, e, d... C
Chorale 048	5-6		Sequence: entire two-bar phrase is sequenced a step lower
Chorale 055	8		Real sequence of progression: D: I6-vi, E: I6-vi, (b: V65-i6)

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